I hear the ancient music of words and words, yes, that’s it.
Fasanenstraße 31, Berlin
Fasanenstraße 30, Berlin
Hölle
17 East 82nd Street, New York
& Jack Goldstein
Hervé Guibert
Fasanenstraße 30, Berlin
17 East 82nd Street, New York
Elisenstraße 4-6, Köln
Fasanenstraße 30, Berlin
“Automaton”
Elisenstraße 4-6, Köln
“Quodlibet III - Alphabets and Instruments”
Fasanenstraße 30, Berlin
Neven-DuMont-Straße 17, Köln
Vincent Fecteau
Florian Pumhösl
I hear the ancient music of works and works, yes, that’s it.
2022, 69 pages, hardcover, dust jacket, fully illustrated in color,
25,5 x 22 cm
Euro 35,-
This catalogue is published on the occasion of the exhibitions at the Schindler House/MAK Center for Art and Architecture, Los Angeles and at our gallery in Berlin. It is designed by Florian Pumhösl and contains images of the installation at Schindler House and documentation of the exhibited works along with an introductory text by MAK curator Bärbel Vischer and a conversation between Vincent Fecteau and Florian Pumhösl.
Vincent Fecteau
2021, 96 p., Owrps., dust jacket, fully illustrated in color,
22,5 x 17,5 cm
Euro 35,-
This catalogue is published on the occasion of Vincent Fecteau’s exhibition at the Wattis Institute in San Francisco in the fall of 2019. Along with a group of new sculptures by Vincent Fecteau, the exhibition also featured two works by Lutz Bacher. The catalogue includes texts by Anthony Huberman, who curated the exhibition, Don Potts, Renny Pritikin and Fanny Singer.
Rainald Goetz
Hölle
2019, poster, offset print, 59,5 x 63 cm
Euro 10,-
A poster with the transcript of Rainald Goetz’s presentation of the English translation of his novel “Insane” on the occasion of the exhibition opening for the group exhibition “Hölle” in September 2018 at Galerie Buchholz New York.
Vincent Fecteau
“you have did the right
thing when you put that
skylight in”
2016, 150 pages, cloth-bound, fully illustrated, 24 x 21 cm
Edition 1000
Euro 48,-
This catalogue is published on the occasion of Vincent Fecteau’s solo exhibition at Kunsthalle Basel in 2015. In addition to numerous reproductions of the exhibited works the book contains a new essay by Bruce Hainley.