Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 00
Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 01
Alix Cléo Roubaud

Correction of perspective in my bedroom

4 September 2025 -
25 October 2025

Opening Thursday, 4 September,

6-8 pm

Alix Cléo Roubaud

Correction of perspective in my bedroom

Curated by Hélène Giannecchini

 

4 September - 25 October 2025

 

Galerie Buchholz is pleased to present Correction of perspective in my bedroom, an exhibition of the work of Alix Cléo Roubaud (1952-1983) curated by the art historian and writer Hélène Giannecchini. This is the first solo exhibition of Alix Cléo Roubaud’s work outside of France and follows her inclusion in “Forks & Spoons,” a group exhibition organized by Moyra Davey at Galerie Buchholz New York in 2024.

 

Born in Mexico City in 1952, Roubaud grew up between Egypt, Portugal, Greece, South Africa, and Canada before settling in France in 1972. She studied philosophy at Paris 8 in Vincennes-Saint-Denis, writing in depth on Wittgenstein. From the summer of 1979 on, Roubaud devoted herself to the pursuit of photography, concentrating her writing efforts into her journal and a number of short theoretical texts on photography. That year marked the beginning of her relationship with the writer and mathematician Jacques Roubaud, whom she married in 1980.

 

Working primarily in a bathroom darkroom in her apartment at 64 rue Vieille-du-Temple, Roubaud deployed experimental printing techniques, producing high-key prints built from multiple exposures (sometimes as many as 10 per print), abstract manipulations of light, extensive burning and dodging, the use of a light pencil, and, more rarely, colored pencil, staining, and tinting. She destroyed her negatives, writing in 1979 that “the negative should only be kept for as long as the result of processing it retains something of the living memory of the intended image.” Each print is unique.

 

This exhibition takes as a point of departure her work at the intersection of writing and photography. Throughout there is a fragmentary, oblique, expanded sense of self-portraiture at the heart of much of her work, in both her photographs and writing. She described her practice as akin to keeping a diary, with photography as a way of inscribing the days, and writing offering another form of capturing images. Roubaud’s photographs move between intimate representations of her romantic, emotional and psychological interests and a rigorous articulation of different conceptual strategies inherent in photography itself.

 

In a number of works, Roubaud made use of negatives from her parent’s photographs taken in the 1950s, printing fragments that evoke the tenuous unreliability of remembered childhood. Her 1980 series “non-contact theory” makes visible the material edges of the photographic negative, prioritizing the space between exposures, treating the medium itself as a subject and emphasizing the physical object of the photo print. A work like “untitled (Fifteen minutes at night to the rhythm of breath)” exploits a long exposure time, here taken in a cypress forest at night, with the (asthmatic, troubled) breath of the artist registering in the image’s blurred abstraction. Together with Jacques Roubaud, she produced the series “Protohaikus”, photographing his short poems as verbal propositions reimagined in visual form. Works like “Correction of perspective in my bedroom” hinge on her use of repetition, overlaying fragments from the same negatives again and again on a single print, creating a kind of photographic stutter. Of particular interest in this exhibition are works in which Roubaud incorporated fragments of writing - notes, letters, and journal entries, both handwritten and typed - layered atop figures or interior spaces. Often revealing an inner torment, the poetics of the texts she incorporated into her photography complicate and torque her often serene-seeming images. And throughout her work, her interest in self-portraiture runs alongside her portraits of friends and lovers. Beds recur as a persistent motif, with recumbent figures hovering between sleep and death, or between desire and mortality.

 

Roubaud was part of a mileu of writers, artists, and filmmakers in Paris, among them the post-New Wave filmmaker Jean Eustache, whom she photographed. In 1981 Eustache made the short film Les Photos d’Alix (Alix’s Pictures), in which Roubaud introduces her work to Eustache’s son, Boris, describing one photograph with words while presenting him with a different photograph in a kind of Wittgensteinian play about the gap between word and image. Completed shortly before Eustache’s death by suicide, the film won the 1982 César Award for Best Short Film.

 

Long plagued by asthma, depression, and personal turmoil, Alix Cléo Roubaud died of a pulmonary embolism in 1983 at the age of thirty-one. She was known to the public primarily through her posthumously published Journal 1979-1983, released by Jacques Roubaud in 1984. Over the past 15 years, Hélène Giannecchini’s research, scholarship, and writing has offered a profound reconsideration of Roubaud’s photographic work, situating her as a singular figure working across photography, literature, and philosophy in the early 1980s. The exhibition is accompanied by a correspondence between Hélène Giannecchini and Moyra Davey.

 

Solo exhibitions by the artist include “Alix Cléo Roubaud: Photographies. Quinze minutes la nuit au rythme de la respiration” at the Bibliothèque nationale de France, Paris (2014), “Alix Cléo Roubaud: Quelque chose noir & autres photographies” at the Centre International de poésie Marseille (2010), “Alix Cléo Roubaud. Si quelque chose noir” at the Musée d’Art et d’Archéologie, Aurillac (2009). Group exhibitions include the recent “Corps à Corps. Histoire(s) de la photographie” at the Centre Pompidou, Paris (2024); “Love Songs. Photographies de l’intime” at the Maison européenne de la photographie, Paris (2022); “L’étreinte du tourbillon” at the Mulhouse Photography Biennial (2018); “Les Spectres du surrealism” at the 2017 Rencontres de la photographie d’Arles (2017); Biennale de la photographie de Mulhouse; “Les Fragments de l’amour” at the Centre d’art contemporain La Traverse, Alfortviille (2016); the 2016 French Pavillion at the Dubai Photo Exhibition; “Les Années 1980, l’insoutenable légèreté” at the Centre Pompidou, Paris (2016); “En bordure d’une humanité ordinaire. Collection de Madeleine Millot-Durrenberger” at galerie In Extremis, Strasbourg (2015); “Accrochage des collections contemporaines des années 1960 à nos jours” at the Musée National d’Art Moderne at Centre Pompidou, Paris (2014); “Les Gens de l’éphémère / People of Transience” at the 1983 Rencontres de la photographie d’Arles; “Textographie(s)” at the Plessis-Robinson Centre culturel communal, Paris (1982), and “Une Autre photographie” at the Maison des arts et de la culture André Malraux, Créteil (1982).

 

Works by Alix Cléo Roubaud are in the collections of the Art Institute of Chicago; Centre Pompidou, Paris; Bibliothèque nationale de France, Paris; Bibliothèque de Lyon; Musée des beaux-arts de Montréal; Maison Européenne de la photographie, Paris; and Institut Mémoires de l’édition contemporaine, Normandy.

 

Galerie Buchholz commissioned Thea Petrou to provide new translations of writing by Alix Cléo Roubaud and Jacques Roubaud for this exhibition; additional translations were drawn from published works by Jan Steyn, Dominic Di Bernardi, and Rosemary Waldrop.

 

Hélène Giannecchini’s biography Alix Cléo Roubaud: A Portrait in Fragments (Sylph Editions, 2024; translated by Thea Petrou) is available at Galerie Buchholz.

 

With very special thanks to Hélène Giannecchini, the Fonds Alix Cléo Roubaud, Pascal Siskin, and Moyra Davey.

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 02
Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 03
Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 04

Alix Cléo Roubaud

La dernière chambre. / The last room. Ottawa 1973 Paris 1979, 1979
silver gelatin print, multiple exposures
17.7 x 24 cm

(framed: 32.2 x 38.4 x 3.1 cm)

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 05

Alix Cléo Roubaud

La dernière chambre. / The last room. Ottawa 1973 Paris 1979, 1979
silver gelatin print, multiple exposures
17.7 x 24 cm

(framed: 32.2 x 38.4 x 3.1 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 06

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 07

Alix Cléo Roubaud

untitled (Quinze minutes la nuit au rythme de la respiration /
Fifteen minutes at night to the rhythm of breath), 1980
silver gelatin print

23.8 x 30.3 cm

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 08

Alix Cléo Roubaud

untitled (Quinze minutes la nuit au rythme de la respiration /
Fifteen minutes at night to the rhythm of breath), 1980
silver gelatin print

23.8 x 30.3 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 09

Alix Cléo Roubaud

untitled, c. 1980-1982
silver gelatin print, multiple exposures
17.6 x 23.8 cm

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 10

Alix Cléo Roubaud

untitled, c. 1980-1982
silver gelatin print, multiple exposures
17.6 x 23.8 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 11

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 12

Alix Cléo Roubaud

untitled, 1980
silver gelatin print
image: 18.9 x 28.1 cm
paper: 23.9 x 30.3 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 13

Alix Cléo Roubaud

Non-contact theory,

c. 1980-1981
two silver gelatin prints
plate 1
image: 18.8 x 27.7 cm
paper: 23.9 x 30.3 cm
plate 2
image: 19.6 x 30.3 cm
paper: 23.9 x 30.3 cm

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 14

Alix Cléo Roubaud

Non-contact theory,

c. 1980-1981
two silver gelatin prints

detail (plate 1)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 15

Alix Cléo Roubaud

Non-contact theory,

c. 1980-1981
two silver gelatin prints

detail (plate 2)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 16

Alix Cléo Roubaud

Non-contact theory, c. 1980-1981
silver gelatin print
17.7 x 23.9 cm

(framed: 30.7 x 36.8 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 17

Alix Cléo Roubaud

Les yeux de la mère /

The mother’s eyes, 4, 1981
multi-toned silver gelatin print from multiple exposures
30.3 x 23.8 cm

(framed: 41.1 x 34.5 cm)

 

Les yeux de la mère /

The mother’s eyes, 1981
silver gelatin print from negative and pinceau lumineux
23.9 x 30.3 cm

 

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 18

Alix Cléo Roubaud

Les yeux de la mère /

The mother’s eyes, 1981
silver gelatin print from negative and pinceau lumineux
23.9 x 30.3 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 19

Alix Cléo Roubaud

Les yeux de la mère /

The mother’s eyes, 4, 1981
multi-toned silver gelatin print from multiple exposures
30.3 x 23.8 cm

(framed: 41.1 x 34.5 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 20

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 21

Alix Cléo Roubaud

untitled, 1980
silver gelatin print, multiple exposures
image: 21.4 x 27.3 cm
paper: 21.4 x 29.8 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 22

Alix Cléo Roubaud

untitled, c. 1980-1982
silver gelatin print, multiple exposures

17.8 x 23.8 cm

 

untitled, c. 1980-1982
silver gelatin print, multiple exposures
25.8 x 30.4 cm

(framed: 36 x 42.5 cm)

 

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 23

Alix Cléo Roubaud

untitled, c. 1980-1982
silver gelatin print, multiple exposures

17.8 x 23.8 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 24

Alix Cléo Roubaud

untitled, c. 1980-1982
silver gelatin print, multiple exposures
25.8 x 30.4 cm

(framed: 36 x 42.5 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 25

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 26

Alix Cléo Roubaud

Le Baiser / The Kiss, 1980
silver gelatin print, multiple exposures
23.8 x 30.2 cm

(framed: 32 x 38.3 cm)

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 27

Alix Cléo Roubaud

Le Baiser / The Kiss, 1980
silver gelatin print, multiple exposures
23.8 x 30.2 cm

(framed: 32 x 38.3 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 28

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 29

Alix Cléo Roubaud

Saqqarah, 1980
silver gelatin print, multiple exposures
23.9 x 30.4 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 30

Alix Cléo Roubaud

untitled, c. 1980-1981
silver gelatin print
23.9 x 30.2 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 31

Alix Cléo Roubaud

le champagne, 1980
silver gelatin print
23.9 x 30.2 cm

(framed: 40.9 x 34.5 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 32

Alix Cléo Roubaud

Éminent victorien dans un lit hollywoodien / Eminent victorian in a hollywood bed, 1980
silver gelatin print, multiple exposures
37.6 x 30.1 cm

(framed: 25.4 x 43.5 cm)

 

untitled, c. 1979
silver gelatin print from negative and pinceau lumineux
17.6 x 22.4 cm

 

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 33

Alix Cléo Roubaud

Éminent victorien dans un lit hollywoodien / Eminent victorian in a hollywood bed, 1980
silver gelatin print, multiple exposures
37.6 x 30.1 cm

(framed: 25.4 x 43.5 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 34

Alix Cléo Roubaud

untitled, c. 1979
silver gelatin print from negative and pinceau lumineux
17.6 x 22.4 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 35

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 36

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 37

Alix Cléo Roubaud

untitled (Correction de perspective dans ma chambre / Correction of perspective in my bedroom), 1980
silver gelatin print, multiple exposures
23.9 x 17.7 cm

(framed: 37.9 x 31.7 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 38

Alix Cléo Roubaud

untitled (Correction de perspective dans ma chambre / Correction of perspective in my bedroom), 1980
silver gelatin print, multiple exposures
24 x 17.7 cm

(framed: 34.6 x 28.2 x 3.1 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 39

Alix Cléo Roubaud

untitled (Correction de perspective dans ma chambre / Correction of perspective in my bedroom), 1980
silver gelatin print, multiple exposures
17.8 x 23.9 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 40

Alix Cléo Roubaud

untitled (Correction de perspective dans ma chambre / Correction of perspective in my bedroom), 1980
silver gelatin print, multiple exposures
image: 11.4 x 17.6 cm
paper: 23.9 x 17.6 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 41

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 42

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 43

Alix Cléo Roubaud

untitled (Protohaïkus), c. 1980-1981
silver gelatin print from multiple exposures with sepia toner
image: 20 x 29.8 cm
paper: 23.9 x 30.3 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 44

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 45

Alix Cléo Roubaud

untitled, 1980
silver gelatin print, multiple exposures
17.8 x 24.1 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 46

Alix Cléo Roubaud

untitled, 1980
silver gelatin print from negative and pinceau lumineux
17.8 x 22.5 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 47

Alix Cléo Roubaud

untitled, 1980
silver gelatin print, multiple exposures
23.8 x 17.8 cm

 

untitled, 1980
silver gelatin print, multiple exposures
23.9 x 17.8 cm

 

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 48

Alix Cléo Roubaud

untitled, 1980
silver gelatin print, multiple exposures
23.8 x 17.8 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 49

Alix Cléo Roubaud

untitled, 1980
silver gelatin print, multiple exposures
23.9 x 17.8 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 50

Alix Cléo Roubaud

Deux soeurs qui ne sont pas soeurs / Two sisters who are not sisters, c. 1980
silver gelatin print, multiple exposures
image: 14.5 x 21.4 cm
paper: 18.2 x 23.8 cm
(framed: 28.1 x 33.8 x 3.1 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 51

Alix Cléo Roubaud

Correction of perspective in my bedroom

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 52

Alix Cléo Roubaud

untitled (Correction de perspective dans ma chambre / Correction of perspective in my bedroom), 1980
silver gelatin print, multiple exposures
17.6 x 23.9 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 53

Alix Cléo Roubaud

untitled, 1980-1981
silver gelatin print, multiple exposures
17.6 x 23.9 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 54

Alix Cléo Roubaud

La dernière chambre. / The last room. Ottawa 1973 Paris 1979, 1979
silver gelatin print, multiple exposures
image: 10.3 x 15.7 cm
paper: 18 x 23.9 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 55

Alix Cléo Roubaud

à Jean, 1979-1982
silver gelatin print
17.7 x 23.6 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 56

Alix Cléo Roubaud

28.IX.79, 1979
silver gelatin print with art pencil and inscription
image: 14.2 x 22.9 cm
paper: 22.7 x 32.3 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 57

Alix Cléo Roubaud

Pornographie bourgeoise, 1981
silver gelatin print
image: 14.3 x 22.2 cm
paper: 17.7 x 23.4 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 58

Alix Cléo Roubaud

untitled (10.VI.80, ch. 224 / room 223, University Arms Hotel, Cambridge), 1980
silver gelatin print with inscription
17.7 x 24 cm

(framed: 28.8 x 35.2 cm)

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 59

Alix Cléo Roubaud

untitled (10.VI.80, ch. 224 / room 223, University Arms Hotel, Cambridge), 1980
silver gelatin print with inscription
17.7 x 24 cm

(framed: 28.8 x 35.2 cm)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 60

Alix Cléo Roubaud

Nuages / Clouds, c. 1979-1982
silver gelatin print, multiple exposures
image: 6 x 24.7 cm
paper: 12.7 x 30.3 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 61

Alix Cléo Roubaud

Le 11.IV.80, Hôtel Zalagh, Fès, 1980
silver gelatin print
image: 21.8 x 30.8 cm
paper: 23.8 x 30.8 cm

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 62

Alix Cléo Roubaud

Hommage à Queneau, Rouen, le 30.XI.80, 11h30, Hôtel des Arcades, ch. 309 / room 309, 1980
two silver gelatin prints
plate 1
image: 17.5 x 25.9 cm
paper: 23.9 x 30.3 cm
plate 2
paper: 23.9 x 30.3 cm
image: 19.4 x 28.2 cm

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 63

Alix Cléo Roubaud

Hommage à Queneau, Rouen, le 30.XI.80, 11h30, Hôtel des Arcades, ch. 309 / room 309, 1980
two silver gelatin prints
detail (plate 1)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 64

Alix Cléo Roubaud

Hommage à Queneau, Rouen, le 30.XI.80, 11h30, Hôtel des Arcades, ch. 309 / room 309, 1980
two silver gelatin prints
detail (plate 2)

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 65

Alix Cléo Roubaud

Correction of perspective in my bedroom

vitrine 1

installation view Galerie Buchholz, New York 2025

Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 66

Alix Cléo Roubaud

Correction of perspective in my bedroom

vitrine 2

installation view Galerie Buchholz, New York 2025

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Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 67 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 68 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 69 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 70 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 71 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 72 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 73 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 74 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 75 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 76 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 77 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 78 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 79 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 80 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 81 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 82 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 83 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 84 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 85 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 86 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 87 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 88 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 89 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 90 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 91 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 92 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 93 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 94 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 95 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 96 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 97 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 98 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 99 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 100 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 101 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 102 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 103 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 104 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 105 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 106 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 107 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 108 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 109 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 110 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 111 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 112 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 113 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 114 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 115 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 116 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 117 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 118 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 119 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 120 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 121 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 122 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 123 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 124 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 125 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 126 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 127 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 128 Correction of perspective in my bedroom — Alix Cléo Roubaud — Exhibitions — Galerie Buchholz — Image 129