A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“an Exhibit”, 1957
exhibition poster by Richard Hamilton, Institute of Contemporary Art, London
75 x 49 cm

“A Little Bit of Roy Lichtenstein for….”, 1964
screenprint

58.4 x 80.4 cm

“People”, 1968

photograph, screenprint from 4 stencils, letratone, retouched by hand and sprayed, with collage

65 x 84 cm

“Self-portrait”, 1967
screenprint from 19 stencils on Schoellershammer paper

53.3 x 40.5 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“Toaster”, 1967

offset lithograph in 4 colours, screenprinted from 4 stencils, with collaged metalized polyester

88.8 x 63.4 cm

“Five Tyres Remoulded (portfolio)”, 1971

portfolio containing 1 sheet of text in 5 colour collotype (framed: 64.6 x 89.6 x 3.8 cm), 7 screenprints in black on mylar, superimposed on each other (framed: 61 x 85.9 x 3.8 cm), 1 relief cast in white silicone elastomer (framed: 64.6 x 89.6 x 3.8 cm)

“Five Tyres Remoulded (portfolio)”, 1971

portfolio containing 1 sheet of text in 5 colour collotype (framed: 64.6 x 89.6 x 3.8 cm), 7 screenprints in black on mylar, superimposed on each other (framed: 61 x 85.9 x 3.8 cm), 1 relief cast in white silicone elastomer (framed: 64.6 x 89.6 x 3.8 cm)

detail

“Five Tyres Remoulded (portfolio)”, 1971

portfolio containing 1 sheet of text in 5 colour collotype (framed: 64.6 x 89.6 x 3.8 cm), 7 screenprints in black on mylar, superimposed on each other (framed: 61 x 85.9 x 3.8 cm), 1 relief cast in white silicone elastomer (framed: 64.6 x 89.6 x 3.8 cm)

detail

“Five Tyres Remoulded (portfolio)”, 1971

portfolio containing 1 sheet of text in 5 colour collotype (framed: 64.6 x 89.6 x 3.8 cm), 7 screenprints in black on mylar, superimposed on each other (framed: 61 x 85.9 x 3.8 cm), 1 relief cast in white silicone elastomer (framed: 64.6 x 89.6 x 3.8 cm)

detail

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“Palindrome”, 1974
lenticular acrylic laminated on collotype printed in 5 colours on Chromolux paper

75.5 x 57.1 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“The Critic Laughs”, 1968
lithograph laminated with plastic film, screenprint, collage additions, and touches of enamel paint added by hand
59.7 x 47.1 cm

“Fashion-Plate”, 1969-1970
lithograph, screenprint, pochoir and cosmetic on paper

99 x 68.8 cm

“A dedicated follower of fashion”, 1980
photogravure with engraving and aquatint, on Rives BFK paper

76.2 x 57.2 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“By the Waters of Miers”, 1972
12 stage proofs (I-XII), drypoint, aquatint and etching on German Museum paper

each 64.5 x 57 cm

(framed: 71.4 x 63.8 x 2.8 cm)

installation view

Galerie Buchholz, New York 2022

“Sunset (f) - lithograph”, 1975
lithograph from one stone on 2 colours on Gasenshi Echizen paper laminated (chine colle) on Arches paper

42 x 53.8 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“Flower-piece progressives”, 1973-1974

portfolio of 7 etching, copper engraving, scraper, aquatint, 6 trial proofs and the finished sheet, i.e., Trichromatic flower-piece, in portfolio, with text by Marcel Broodthaers

65.3 x 50.5 cm

detail

“Flower-piece progressives”, 1973-1974

portfolio of 7 etching, copper engraving, scraper, aquatint, 6 trial proofs and the finished sheet, i.e., Trichromatic flower-piece, in portfolio, with text by Marcel Broodthaers

65.3 x 50.5 cm

detail

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“Trichromatic Flower Piece”, 1973-1974
etching, engraving and aquatint on paper

76 x 50.3 cm

“Flower Piece A”, 1974
collotype in four colours and screenprint from ca. 10 stencils in 36 printings on Schoeller Elfenbein-Karton paper

65 x 50 cm

“Flower-piece B”, 1975
lithograph in 3 colours and white, from 6 stones and 4 zinc plates on Arches paper

65.2 x 50.2 cm

“Soft blue landscape”, 1979

collotype in 7 colours and screenprint from ca. 10 stencils in 40 colours on lvorex paper

72.5 x 91.8 cm

(framed: 73.2 x 92.5 x 3.8 cm)

“Soft pink landscape”, 1980

collotype in 7 colours and screenprint from ca. 10 stencils in 35 colours on lvorex paper

72.8 x 91.6 cm

(framed: 76.4 x 95.4 x 2.5 cm)

installation view

Galerie Buchholz, New York 2022

“Soft blue landscape”, 1979

collotype in 7 colours and screenprint from ca. 10 stencils in 40 colours on lvorex paper

72.5 x 91.8 cm

“Soft pink landscape”, 1980

collotype in 7 colours and screenprint from ca. 10 stencils in 35 colours on lvorex paper

72.8 x 91.6 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“Kent State”, 1970

screenprint from 13 stencils on Schoeller Durex paper

72.7 x 102.2 cm (framed: 76 x 106 x 2.8 cm)

installation view

Galerie Buchholz, New York 2022

“Kent State”, 1970

screenprint from 13 stencils on Schoeller Durex paper

72.7 x 102.2 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“ICA poster for ‘James Joyce: His Life and Work’”, 1950
poster, silkscreen
101.2 x 74 cm

“How a Great Daily Organ is Turned Out”, 1990
composite image consisting of 20 separate mixed media engravings printed on the same sheet on Hahnemühle paper

76 x 56.2 cm

“Private Carr”, 1988
aquatint on paper

paper 32.8 x 25 cm, image 16.3 x 6.3 cm

“House of Keyes”, 1988

aquatint, soft-ground etching on Hahnemuhle paper

32.3 x 25.5 cm

“With unfeigned regret”, 1988

drypoint on Hahnemüle paper

32.6 x 25.2 cm

“Ireland a Nation”, 1989

aquatint on Hahnemuhle paper

32.5 x 25.5 cm

“The Apprentice Boy”, 1988
dye-transfer from 3 matrices mounted on Archivart board

64 x 63 cm

“The Orangeman”, 1990
offset lithograph in 5 colours with hand-applied Humbrol enamel on JPP mould-made paper

99.7 x 69.9 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“Bronze by gold II”, 1985 - 1986

soft-ground, life-ground aquatint engraving, scraper and burnisher in 3 black from 3 plates on Arches paper

75.7 x 55.5 cm

“Bronze by gold”, 1985 - 1987

soft-ground, lift-ground aquatint, engraving, scraper and burnisher in 23 colours from 5 plates on Rives paper

76 x 55.5 cm

“Leopold Bloom”, 1983

soft-ground, roulette, engraving and aquatint on Rives paper

75.5 x 56.5 cm

A little bit of Roy Lichtenstein for…

installation view

Galerie Buchholz, New York 2022

“He foresaw his pale body”, 1990

heliogravure, burin engraving and roulette in 23 colours from 4 plates on Zerkall paper

75.4 x 56 cm

“Gentlemen of the press”, 1988

etching, burin engraving, aquatint on Hahnemuhle paper

32.5 x 25.2 cm

“Papli”, 1988

etching & lift-ground aquatint on Hahnemuhle paper

32.5 x 25 cm

“Garryowen”, 1988

lift-ground aquatint on Hahnemuhle paper

32.6 x 25 cm

“Simon Dedalus”, 1988

mezzotint on Hahnemuhle paper

32.2 x 25 cm

“Jamie”, 1988

roulette on Hahnemuhle paper

32.4 x 25.1 cm

“A street cortege”, 1988

lift-ground aquatint and drypoint on Hahnemuhle paper

32.5 x 25.1 cm

“A brief libation”, 1988

etching, burin engraving and aquatint on Hahnemuhle paper

32.5 x 25.2 cm

“Gogarty”, 1988

soft-ground etching, aquatint and stipple on Hahnemuhle paper

32.7 x 25.2 cm

“Tame Essence of Wilde”, 1988

soft-ground etching on Hahnemuhle paper

32.6 x 25 cm

“One corned and cabbage”, 1988

engraving on Hahnemuhle paper

32.8 x 25.2 cm