and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 00
and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 01

Critical Melancholia

Lutz Bacher, Isa Genzken,

Anne Imhof, Michael Krebber,

Henrik Olesen, Josephine Pryde

and a footnote on the idea of natural history in Jack Smith

an exhibition organized with

Juliane Rebentisch

30 August - 14 October 2023

opening Wednesday, 30 August

6-8pm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 02
and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 03
and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 04

Critical Melancholia

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 05

Isa Genzken

Untitled, 2006

lamp, glass, plastic tube, adhesive tape, plastic foil, electric cable

153 x 167 x 30 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 06

Anne Imhof

“No god we trust”, 2023

pencil on paper

31 x 41 cm

 

“Montauk”, 2023

pencil on paper

31 x 41 cm

 

“Swan”, 2023

pencil on paper

21 x 14.8 cm

 

“Self portrait”, 2023

pencil on paper

31 x 41 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 07

Anne Imhof

“No god we trust”, 2023

pencil on paper

31 x 41 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 08

Anne Imhof

“Montauk”, 2023

pencil on paper

31 x 41 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 09

Anne Imhof

“Swan”, 2023

pencil on paper

21 x 14.8 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 10

Anne Imhof

“Self portrait”, 2023

pencil on paper

31 x 41 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 11

Anne Imhof

“Mother and Child”, 2002

video

6:11 min.

 

“Bambi”, 2001

video

3:42 min.

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 12

Critical Melancholia

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 13

Henrik Olesen

“Crocodile”, 2023

plaster, acrylic, clear varnish, fabric, wire, wood

35 x 200 x 60 cm

base: 6 x 122 x 245 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 14

Henrik Olesen

“Crocodile”, 2023

plaster, acrylic, clear varnish, fabric, wire, wood

35 x 200 x 60 cm

base: 6 x 122 x 245 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 15

Henrik Olesen

“Crocodile”, 2023

plaster, acrylic, clear varnish, fabric, wire, wood

35 x 215 x 100 cm

base: 6 x 122 x 245 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 16

Henrik Olesen

“Crocodile”, 2023

plaster, acrylic, clear varnish, fabric, wire, wood

35 x 215 x 100 cm

base: 6 x 122 x 245 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 17

Henrik Olesen

“Crocodile”, 2023

plaster, acrylic, clear varnish, fabric, wire, wood

35 x 215 x 100 cm

base: 6 x 122 x 245 cm

 

Isa Genzken

“Spiderman”, 2008

paper, dried plant, fabric, stuffed animal, plastic, spray paint, acrylic, shoes, tape

269 x 67 x 108 cm

 

Lutz Bacher

“The Color Red”, 2014

formica

three pieces, 122 x 305 cm

installation dimensions variable

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 18

Isa Genzken

“Spiderman”, 2008

paper, dried plant, fabric, stuffed animal, plastic, spray paint, acrylic, shoes, tape

269 x 67 x 108 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 19

Isa Genzken

“Spiderman”, 2008

paper, dried plant, fabric, stuffed animal, plastic, spray paint, acrylic, shoes, tape

269 x 67 x 108 cm

 

Lutz Bacher

“The Color Red”, 2014

formica

three pieces, 122 x 305 cm

installation dimensions variable

 

Josephine Pryde

“You & Me”, 2001

chromogenic print

27.8 x 37.5 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 20

Lutz Bacher

“The Color Red”, 2014

formica

three pieces, 122 x 305 cm

installation dimensions variable

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 21

Josephine Pryde

“You & Me”, 2001

chromogenic print

27.8 x 37.5 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 22

Josephine Pryde

“Ring Lip I”, 2020

archival pigment print

50.33 x 75.5 cm

framed: 73.5 x 98.5 x 3.9 cm

 

“Ring Lip II”, 2020

archival pigment print

50.33 x 75.5 cm

framed: 73.5 x 98.5 x 3.9 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 23

Josephine Pryde

“Ring Lip I”, 2020

archival pigment print

50.33 x 75.5 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 24

Josephine Pryde

“Ring Lip II”, 2020

archival pigment print

50.33 x 75.5 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 25

Critical Melancholia

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 26

Josephine Pryde

“Seep”, 2001

chromogenic print

27.8 x 37.5 cm

framed: 34.5 x 44.5 x 2.9 cm

 

Michael Krebber

Untitled, 2007

acrylic on canvas

85 x 105 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 27

Josephine Pryde

“Seep”, 2001

chromogenic print

27.8 x 37.5 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 28

Michael Krebber

Untitled, 2007

acrylic on canvas

85 x 105 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 29

Henrik Olesen

“Crocodile”, 2023

plaster, acrylic, clear varnish, fabric, wire, wood

35 x 215 x 100 cm

base: 6 x 122 x 245 cm

 

Michael Krebber

“MK/M 2014/09”, 2014

spray paint on canvas

160 x 120 cm

 

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 30

Michael Krebber

“MK/M 2014/09”, 2014

spray paint on canvas

160 x 120 cm

 

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 31

Michael Krebber

“MK/M 2014/09”, 2014

spray paint on canvas

160 x 120 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 32

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 33

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 34

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 35

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 36

Isa Genzken

“Spiderman”, 2008

paper, dried plant, fabric, stuffed animal, plastic, spray paint, acrylic, shoes, tape

269 x 67 x 108 cm

 

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

 

Michael Krebber

“MK/M 2014/14”, 2014

spray paint on canvas

120 x 160 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 37

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 38

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

 

Michael Krebber

“MK/M 2014/14”, 2014

spray paint on canvas

120 x 160 cm

 

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 39

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 40

Michael Krebber

“MK/M 2014/14”, 2014

spray paint on canvas

120 x 160 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 41

Lutz Bacher

“The Pink Body”, 2017

foam

70 x 110 x 12 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 42

Jack Smith

“Scotch Tape”, 1959

digitized from 16mm

3 min.

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 43

Jack Smith

Untitled, n.d.

oil on cardboard

35 x 28 cm

framed: 53.2 x 45.8 x 2.8 cm

installation view

Galerie Buchholz, New York 2023

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 44

Jack Smith

Untitled, n.d.

oil on cardboard

35 x 28 cm

and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 45

Jack Smith

“Unedited Film Rush”, 1970s

digitized from Super 8

3:10 min.

installation view

Galerie Buchholz, New York 2023

AnnouncementImagesText (e)List (e)Text (d)List (d)
and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 46and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 47and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 48and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 49and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 50and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 51and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 52and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 53and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 54and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 55and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 56and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 57and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 58and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 59and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 60and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 61and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 62and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 63and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 64and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 65and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 66and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 67and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 68and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 69and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 70and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 71and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 72and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 73and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 74and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 75and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 76and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 77and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 78and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 79and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 80and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 81and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 82and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 83and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 84and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 85and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 86and a footnote on the idea of natural history in Jack Smith an exhibition organized with Juliane Rebentisch — Lutz Bacher, Isa Genzken, Anne Imhof, Michael Krebber, Henrik Olesen, Josephine Pryde — Exhibitions — Galerie Buchholz — Image 87