Biography
1947
Born in Hazleton
Lives and works in New York
Education
1973
MFA, University of Wisconsin-Madison
1969
BFA, University of Wisconsin-Madison
Solo Exhibitions
2025
“After Russell Lee: 1-60”, Museum of Wisconsin Art, West Bend
“Sherrie Levine: 1977-1988”, Aspen Art Museum
2024
Galerie Buchholz, Berlin
Hall Art Foundation, Reading
Xavier Hufkens, Brussels
2023
“Wood”, David Zwirner, New York
David Zwirner, Paris
2021
“Hong Kong Dominoes”, David Zwirner, Hong Kong (catalogue)
“Sherrie Levine Sherrie Levine”, Xavier Hufkens, Brussels
“Radiocontrast: Sherrie Levine and Wolfgang Tillmans”, Leo Koenig Inc., New York
2019
“After Reinhardt”, David Zwirner, New York (catalogue)
“After Egon Schiele: Selected Works”, Marc Jancou, Rossinière
2018
Xavier Hufkens, Brussels
2017
“Pie Town”, David Zwirner, London
2016
“15 White Moonlight Paintings”, Jablonka Galerie, Böhm Chapel, Cologne
“After All”, Neues Museum, Nuremberg (catalogue)
David Zwirner, New York
MAMCO - Musée d’Art Moderne et Contemporain, Geneva
“African Masks After Walker Evans”, Adam Art Gallery Te Pātaka Toi, Wellington
2015
“African Masks After Walker Evans”, Maruani Mercier, Brussels / Jablonka Galerie, Cologne / Simon Lee Gallery, London (catalogue)
“Sherrie Levine & Joseph Montgomery: Dolls”, Paula Cooper Gallery, New York
“Sherrie Levine, Man Ray: A Dialogue Through Objects, Images & Ideas”, Maruani Mercier, Knokke (catalogue)
2014
“Red Yellow Blue”, Paula Cooper Gallery, New York
“Robert Gober, Sherrie Levine: Checkerboard on Table”, Jablonka Galerie, Cologne
“Salubra”, Jablonka Galerie, Cologne
“Seriality”, Marc Jancou, Geneva
Simon Lee Gallery, Hong Kong
2013
Portland Art Museum
“Green Skull & Mona Lisa”, Jablonka Galerie, Zurich
“Selected Works”, Charles Riva Collection, Brussels
“Sherrie Levine / August Sander”, Paula Cooper Gallery, New York
2012
“August Sander”, Jablonka Galerie, Galerie Priska Pasquer, Cologne
“A Dazzle of Zebra”, Paula Cooper Gallery, New York
Simon Lee Gallery, London (catalogue)
Simon Lee Gallery, Hong Kong
2011
“Mayhem”, Whitney Museum of American Art, New York (catalogue)
“The Desert”, Le Consortium. Dijon
“Selected Works”, Josh Pazda Hiram Butler, Houston
“Crystal Skulls”, Jablonka Galerie, Cologne (catalogue)
“The Desert”, Simon Lee Gallery, London
2010
Mary Boone Gallery, New York
Paula Cooper Gallery, New York
“Pairs and Posses”, Museum Haus Lange, Krefeld (catalogue)
2009
Simon Lee Gallery, London
2008
Galerie Greta Meert, Brussels
Moretti Fine Arts, London
Paula Cooper Gallery, New York
2007
“Nature Morte”, James Kelly Contemporary, Santa Fe
“New Work”, Jablonka Galerie, Berlin (catalogue)
Paula Cooper Gallery, New York
Simon Lee Gallery, London / Nyehaus, New York (catalogue)
“Abstraction”, Georgia O’Keeffe Museum, Santa Fe (catalogue)
2006
“Abstraction”, Arts Club of Chicago (catalogue)
“Men, Women and Dogs”, Jablonka Galerie, Cologne
“Men, Women and Dogs”, Paula Cooper Gallery, New York
192 Books, New York
2004
“Loulou”, Faggionato Fine Arts, London
“Mourning Mirrors”, Paula Cooper Gallery, New York
Jablonka Galerie, Cologne
Kunst-Station Sankt Peter, Cologne
2003
“Early Paintings”, Skarstedt, New York
“Fotografie”, Galeria Starmach, Kraków
Paula Cooper Gallery, New York
“Skulls and Knotpaintings”, Jablonka Galerie, Cologne
2002
MAMCO - Musée d’art moderne et contemporain, Geneva
“Red and Gray Check Paintings and Steer Skull”, Devin Borden Hiram Butler Gallery, Houston
“Skulls”, Jablonka Galerie, Cologne
2001
“CeÇi n’est pas une pipe”, Margo Leavin Gallery, Los Angeles
“Sherrie Levine, Donald Judd”, Paula Cooper Gallery, New York
“Sherrie Levine, Joost van Oss: Sculpture Prototypes”, The Getty Center, Los Angeles
2000
“Monochromes”, Jablonka Galerie, Cologne
Galleria Sperone, Torino
Paula Cooper Gallery, New York
1999
“After Atget”, Kunstverein in Hamburg
“Sherrie Levine, Joost van Oss: New Sculpture, 1996-1999”, MAMCO-Musée d’art moderne et contemporain, Geneva (catalogue)
“Photographs and Drawings”, Margo Leavin Gallery, Los Angeles
“Sherrie Levine, Joost van Oss”, Jablonka Galerie, Cologne
“Sherrie Levine, Joost van Oss”, Paula Cooper Gallery, New York (catalogue)
1998
“Taking Pictures: Sherrie Levine after Walker Evans”, Harn Museum of Art, University of Florida, Gainesville
Art & Public, Geneva
Museum Morsbroich, Leverkusen (catalogue)
1997
“Gerrit Rietveld, Sherrie Levine”, Galerie Ulrich Fiedler, Berlin
“Inviter 5/Sherrie Levine”, Casino Luxembourg
“Orchids: Photographs by Gottsho-Schleisner, 1964. Published by Sherrie Levine with Winter works on paper, 1997”, Margo Leavin Gallery, Los Angeles
1996
“Cathedrals & Hobbyhorses”, Jablonka Galerie, Cologne
“New Photography”, Frac des Pays de la Loire, Carquefou / South London Gallery / MAMCO - Musée d’art moderne et contemporain, Geneva (artist book)
Margo Leavin Gallery, Los Angeles
Galerie Deux, Tokyo (catalogue)
1995
“Newborn”, Galerie Deux, Tokyo (catalogue)
“Newborn”, Museum of Contemporary Art Los Angeles
“New Work”, Margo Leavin Gallery, Los Angeles
Hiram Butler Gallery, Houston, Texas
1994
“Newborn”, Marian Goodman Gallery, New York
“Newborn”, Menil Collection, Houston
1993
“Newborn”, Philadelphia Museum of Art / Portikus, Frankfurt am Main (catalogue)
“New Work”, Jablonka Galerie, Cologne
1991
San Francisco Museum of Modern Art (catalogue)
“Fountain”, Mary Boone Gallery, New York (catalogue)
Donald Young Gallery, Chicago
Galerie Ghislaine Hussenot, Paris
Kunsthalle Zurich / Westfälisches Landesmuseum, Münster / Rooseum, Malmö / Fondation Nationale des Arts, Paris (catalogue)
1990
Daniel Weinberg Gallery, Santa Monica
1989
Donald Young Gallery, Chicago
Mary Boone Gallery, New York (catalogue)
1988
“Directions: Sherrie Levine”, Hirshhorn Museum and Sculpture Garden, Washington, DC
“Art at the Edge”, High Museum of Art, Atlanta (catalogue)
Galerie nächst St. Stephan, Vienna (catalogue)
Mario Diacono Gallery, Boston
1987
“Matrix 94”, Wadsworth Atheneum Museum of Art, Hartford
Donald Young Gallery, Chicago
Mary Boone Gallery, New York (catalogue)
1986
Daniel Weinberg Gallery, Los Angeles
“Sherrie Levine, Haim Steinbach”, Jay Gorney Modern Art, New York
1985
Baskerville & Watson Gallery, New York
Block Gallery, Northwestern University, Evanston
Richard Kuhlenschmidt Gallery, Los Angeles
1984
“1917”, Nature Morte, New York
A and M Artworks, New York
ACE, Montreal
OPTICA - Centre d’Art Contemporain, Montreal
Yajima Galerie, Montreal
1983
Baskerville & Watson, New York
Richard Kuhlenschmidt Gallery, Los Angeles
1982
A and M Artworks, New York
1981
Metro Pictures, New York
1979
The Kitchen, New York
1978
“Dogs and Triangles”, Hallwalls Contemporary Arts Center, Buffalo
1977
“2 Shoes for $2”, 3 Mercer Street, New York
1974
De Saisset Art Gallery and Museum, Santa Clara University
Group Exhibitions
2025
“Collection 2”, National Museum of Art, Osaka
“The Ark”, The Church, Sag Harbour
“Fernheilung: The 1980s and Early 1990s Through a Distorted Lens”, Universitätsgalerie der Angewandten im Heiligenkreuzerhof, Wien
“Altered States”, Leo Koenig Inc., Andes
“Downtown/Uptown”, Lévy Gorvy Dayan, New York
“30 Years”, Maruani Mercier, Brussels
Shin Gallery, New York
“Purpose”, Alexander Berggruen, New York
“Fictions of Display”, MOCA, Los Angeles
“Collection 1”, National Museum of Art, Osaka
“The Kids Are Alright”, Timothy Taylor, New York
“Corps et âmes”, Bourse de Commerce Pinault Collection, Paris (catalogue)
“Medardo Rosso: Inventing Modern Sculpture”, Kunstmuseum Basel (catalogue)
“Sammlung Ringier 1995-2025, curated by Beatrix Ruf & Wade Guyton”, Langen Foundation, Neuss
“Through Their Eyes: Selections from the Sandretto Re Rebaudengo Collection”, Manetti Shrem Museum, Davis
2024
“The Writings on the Wall: Language and Silence in the Visual Arts”, Hill Art Foundation, New York
“The Returning Image”, MAH Musée d’art et d’histoire, Geneva
“Contemporary Song: Works From The Mário Teixeira Da Silva Collection In The Serralves Collection”, Serralves Museum, Porto
“Ganz Kleine”, Galleria Federico Vavassori, Milan
“Medardo Rosso: Inventing Modern Sculpture”, Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna
“David Zwirner: 30 Years”, David Zwirner, Los Angeles
“Form Matters, Matter Forms: From Readymade to Product Fetish”, Kunst Museum Winterthur (catalogue)
“Namedropping”, MONA - Museum of Old and New Art, Berriedale (catalogue)
“Transmissions: Selections from the Marciano Collection”, Marciano Art Foundation, Los Angeles
“L’image revenante”, Musée Rath, Geneva
“Contemporary Song. Works from the Mário Teixeira da Silva Collection in the Serralves Collection”, Serralves, Porto (catalogue)
“She Said, She Said”, Arlington Museum of Art
“Namedropping”, Museum of Old and New Art, Hobart
“Dietrich”, Galerie Francesca Pia, Zürich
“When We Were Old”, Fondazione Sandretto Re Rebaudengo, Torino
“The Infinite Woman”, Villa Carmignac, Porquerolles Island
“Breasts”, ACP Palazzo Franchetti, Venice
“A Show of Affectionate - Collection Constellation 1”, Fotomuseum Winterthur
“For What it’s Worth: Value Systems in Art Since 1960”, The Warehouse, Dallas
“This Isn’t Who It Would Be, If It Wasn’t Who It Is”, Casey Kaplan, New York
“Books”, Paula Cooper Gallery, New York
2023
“Colección Jumex: Everything Gets Lighter”, Museo Jumex, Mexico City (catalogue)
“Femme F(r)iction”, Academy Mansion, New York
“Icônes”, Pinault Collection, Palazzo Grassi - Punta della Dogana, Venice (catalogue)
“The Infinite Woman”, Fondation Carmignac, Porquerolles (catalogue)
“Inheritance”, Whitney Museum of American Art, New York
“Making Their Mark”, Shah Garg Foundation, New York / BAMPFA, Berkeley / Mildred Lane Kemper Art Museum, Washington, DC (catalogue)
“The Milton and Sheila Fine Collection”, Carnegie Museum of Art, Pittsburgh (catalogue)
“Reaching for the Stars: Works from the Sandretto Re Rebaudengo Collection”, Fondazione Palazzo Strozzi, Florence (catalogue)
“This is Me, This is You. The Eva Felten Photography Collection”, Museum Brandhorst, Munich
“The Grid. Trame. Grille. Matrice”, Musée de Louvain-la-Neuve
“A Contemporary Feel”, Villa Bernasconi, Centre d’art, Lancy
“Images”, Le Point du Jour, Centre d’art éditeur, Cherbourg-Octeville
“Whom”, Krakow Witkin Gallery, Boston
“Women in Art Selected from the Olbricht Collection”, Ketterer, Berlin
“Collection 1 80/90/00/10”, National Museum of Art, Osaka
“Homo Ludens”, Woods Art Institute (WAI), Hamburg
“Bathers”, Paula Cooper Gallery, Palm Beach
“Unexpected Encouters. New Perspectivves on the Collection”, Kunstmuseum St. Gallen
“Pictures & After”, MAMCO - Musée d’art moderne et contemporain, Geneva
2022
“art genève/sculpture”, artgenève Palexpo, Geneva
“The Double: Identity and Difference in Art Since 1900”, National Gallery of Art, Washington, DC (catalogue)
“For Keeps: Selected Parkett Editions 1984-2017”, David Zwirner, New York
“Images Unbound”, Des Moines Art Center
“Une seconde d’éternité”, Pinault Collection, Bourse de Commerce, Paris (catalogue)
“Borrow and Steal”, Museum of Fine Arts, St. Petersburg, Florida
“How to Win at Photography: Image-Making as Play”, The Photographers’ Gallery, London
“Carte Blanche II - A Changing Group Exhibtion”, Palm Beach
“Artists’ Books - A Success Story”, Museum für Angewandte Kunst, Frankfurt am Main
“Obertura: Más allá de los mapas”, Museo de Arte Contemporaneo de Alicante
“Bad Manners: On the Creative Potentials of Modifying Other Artists’ Work”, Luxembourg + Co, London
“After Monet - Works of the FRAC des Pays de la Loire Collection”, Carquefou
“Artist Books - A Success Story”, Museum für Angewandte Kunst, Frankfurt am Main
“True Pictures? Contemporary Photography from Canada and the USA”, Museum der Moderne, Salzburg
“After Monet - Works of the FRAC des Pays de la Loire Collection”, FRAC des Pays de la Loire, Carquefou
2021
“The 80s. Art of the Eighties”, Albertina Modern, Vienna (catalogue)
“Backgrounds: Impressions Photographiques IV”, Peter Freeman, New York
“Before the Cockel Crows,” Fondazione Sandretto re Rebaudengo, Torino
“How to Win at Photography: Image-Making as Play”, Fotomuseum Winterthur
“Journiac/Wilson/Levine/Sherman/Prince/Lawler”, Pinault Collection, Bourse de Commerce, Paris
“My Generation: The Jablonka Collection”, Albertina Museum, Vienna (catalogue)
“Pictures, Revisited”, The Metropolitan Museum of Art, New York
“Sweaty Concepts”, Williams College Museum of Art, Williamstown
“What Looms Large”, Mead Art Museum, Amherst
“A Drawing Show”, Paula Cooper Gallery, Palm Beach
“True Pictures? Contemporary Photography from Canada and the USA”, Sprengel Museum Hannover / Museum der Moderne, Salzburg (catalogue)
“Smart to the Core: Medium/Image”, Smart Museum of Art, Chicago
“Radiocontrast: Wolfgang Tillmans & Sherrie Levine”, Leo Koenig Inc., New York
“The Ensemble Writes the Piece. 70 years today”, Museum Morsbroich, Leverkusen
“Mahogany, Oak and Pine: Le Corbusier | Charlotte Perriand & Sherrie Levine”, Leo Koenig, New York
“Gridscape”, Xavier Hufkens, Brussels
“Photography!”, Saarlandmuseum, Saarbrücken
“Ouverture”, Bourse the Commerce, Pinault Collection, Paris
“Douglas Huebler, Sherrie Levine, Walid Raad - No More Than Three Other Times”, Paula Cooper Gallery, New York
2020
“The Lives and Loves of Images”, Biennale für aktuelle Fotografie 2020, Heidelberg / Ludwigshafen / Mannheim
“Pictures Revisited”, The Metropolitan Museum of Art, New York
“Au rendez-vous des amis”, Pinakothek der Moderne, Munich
“Bernd and Hilla Becher, Sarah Charlesworth, Sherrie Levine”, Paula Cooper Gallery, New York
“Don’t let this be easy”, Walker Art Center, Minneapolis
“Duchamp Threads the Needle”, David Nolan Gallery, New York
“In Situ: a changing installation”, Peter Freeman Inc., New York
“La Soupe de Daguerre”, Fotomuseum den Haag
“Mapping the Collection”, Museum Ludwig, Cologne
“My Generation: The Jablonka Collection”, Albertina Museum, Vienna
“NOT I: Throwing Voices (1500 BCE-2020 CE)”, Los Angeles County Museum of Art
“POWER! Von den Energien in der Kunst”, Städtische Galerie, Villingen-Schwenningen
“Everybody Dies!”, Carriage Trade, New York
“1:1 - Encounter with Originals from the Collection of the Museum Morsbroich”, Museum Morsbroich, Leverkusen
“Summer Choices: The Joy of Discovery”, Crown Point Press, San Francisco
“Lixia”, David Zwirner, Hong Kong
“Bernd and Hilla Becher, Sarah Charlesworth, Sherrie Levine”, Paula Copper Gallery, New York
“Photography + Fine Art: Material Meanings. Selections from the Contance R. Caplan Collection”, The Art Institute of Chicago
“Crown Point Press in the 80s”, Crown Point Press, San Francisco
2019
“Amulet or He calls it chaos”, The 500 Capp Street Foundation, The David Ireland House, San Francisco
“Icons: Worship and Adoration”, Kunsthalle Bremen
“Installations From 25 Years of the Falckenberg Collection”, Deichtorhallen Hamburg (catalogue)
“A Journey That Wasn’t”, The Broad, Los Angeles
“Picture Gallery in Transformation: Museum of Contemporary Art Chicago at MASP”, MASP, São Paulo
“Reason Gives No Answers”, Newport Street Gallery, London
Rubell Museum, Miami
“The Expressionist Figure: The Mirian and Erwin Kelen Collection of Drawings”, Walker Art Center, Minneapolis”
“NMAO collection with Alberto Giacometti II”, National Museum of Art Osaka
2018
“25 Years! Shared Histories, Shared Stories”, Fotomuseum Winterthur
“Barbara Bloom in Context: Works from the Pictures Generation”, Allen Memorial Art Museum, Oberlin
“Brand New: Art and Commodity in the 1980s”, Hirshhorn Museum and Sculpture Garden, Washington, DC (catalogue)
“David Zwirner: 25 Years”, David Zwirner, New York (catalogue)
“Endless Enigma: Eight Centuries of Fantastic Art”, David Zwirner, New York (catalogue)
“Generations. Female Artists in Dialogue, Part 3”, Sammlung Goetz, Munich
“Kleine Geschichte(n) der Fotografie/Small story(s) of Photography”, Sprengel Museum, Hannover
“Picture Industry: A Provisional History of the Technical Image, 1844-2018”, Luma Foundation, Arles
“Polarities”, TOTAH, New York
“A Time Capsule Revisited: A New Installation of Works Made by Women for Parkett (1984-2017)”, New Temporary Parkett Space, Zurich
“Could be (An Arrow): A Reading of la Collección Jumex”, Museo Jumex, Mexico City
“The King, his Lover and Their Bastard”, Maruani Mercier, Brussels
“Fake as More”, Simon Lee Gallery, New York
“Still Looking: Peter Mcleavey and the Last Photograph”, Te Pātaka Toi Adam Art Gallery, Wellington
“A Journey that wasn’t”, The Broad, Los Angeles
“Present”, Van Buuren Museum, Brussels
“A Time Capsule: A New Installation of Works Made by Women for Parkett (1984-2017)”, Somerset House, London
“The Myriad Forms of Visual Art: 196 Works with 19 Themes”, National Museum of Art Osaka
“Shape of Light. 100 Years of Photography and Abstract Art”, Tate Modern, London
“Grayish”, Josh Pazda Hiram Butler, Houston
“Unexchangable”, Wiels, Centre d’Art Contemporain, Brussels
“Lichtempfindlich 2, Fotografie aus der Sammlung Schaufler”, Schauwerk Sindelfingen
2017
“I am you, you are too”, Walker Art Center, Minneapolis
“Darren Bader (@mined_oud)”, MADRE, Museo d’Arte Contemporanea Donnaregina Napoli (catalogue)
“Etre moderne: Le MoMA à Paris/Being Modern: MoMA in Paris”, Fondation Louis Vuitton, Paris (catalogue)
“Picture Industry”, CCS Bard Hessel Museum of Art, Annandale-on-Hudson
“Oliver Twist, Chapter 2”, Rental Gallery, East Hampton
“Remastered: The Art of Appropriation”, Kunsthalle Krems
“Screen Memory”, Simon Lee, London
“Serialities”, Hauser & Wirth, New York
“Versus Rodin: Bodies Across Space and Time”, Art Gallery of South Australia, Adelaide / Ellis King, Dublin
“Greatest Hits”, Kunstpalais Erlangen
“Like a Moth to the Flame”, Fondazione Sandretto Re Rebaudengo, Torino
“Trio”, Vivian Horan Fine Art, New York
“Sic - Works from the CAPC Collection”, CAPC, Bordeaux
“Think of it as a Window”, Mutina, Fiorano
“Post-Card”, Krakow Witkin Gallery, Boston
“The School”, Jack Shainman Gallery, New York
“Répliques: l’original à l’épreuve de l’art”, Musée des beaux-arts de La Chaux-de-Fonds
“The Coffins of Paa Joe and the Pursuit of Happiness”, Jack Shainman Gallery, New York
“Unpacking: The Marciano Collection”, Marciano Art Foundation, Los Angeles
“American Interior”, Carriage Trade, New York
“The Ends of Collage: New York”, Luxembourg + Co., New York
“No Place Like Home”, The Israel Museum, Jerusalem
“Collections”, MAMCO - Musée d’art modern et contemporain, Geneva
“Fast Forward: Painting from the 1980s”, Whitney Museum of American Art, New York
2016
“The Campaign for Art: Contemporary”, San Francisco Museum of Modern Art (exhibition broschure)
“The Campaign for Art: Drawings, Part II”, San Francisco Museum of Modern Art (exhibition broschure)
“Douglas Crimp - Before Pictures. New York City 1967-1977”, Galerie Buchholz, New York
“Every Future Has a Price: 30 Years After Infotainment”, Elizabeth Dee, New York
“First Light: A Decade of Collecting at the ICA”, Institute of Contemporary Art, Boston
“Full Moon”, Museum Voorlinden, Wassenaar
“Man Alive!”, Jablonka Maruani Mercier Gallery, Brussels (catalogue)
“MashUp: The Birth of Modern Culture”, Vancouver Art Gallery
“Ordinary Pictures”, Walker Art Center, Minneapolis (catalogue)
“Physical: Sex and the Body in the 1980s”, Los Angeles County Museum of Art
“The Power and the Glory”, Charles Riva Collection, Brussels
“I wanted to be a Photographer”, Foto Colectania, Barcelona
“Drama Queens. Die inszenierte Sammlung”, Museum Morsbroich, Leverkusen
“Intuitive Progression”, Fisher Landau Center for Art, New York
“Gediegenes und Kurioses. Los Carpinteros, Ouyang Chun und Lieblingsstücke aus der Sammlung Olbricht”, Museum Folkwang, Essen
“Pandora’s Box: Jan Dibbets on Another Photography”, Musée d’art moderne de Paris
“Physical: Sex and the Body in the 1980’s”, LACMA - Los Angeles County Museum of Art
“The Natural Order of Things”, Museo Jumex, Mexico City
“Top Hundred”, Museo Marino Marini, Florence
2015
“America is Hard to See”, Whitney Museum of American Art, New York (catalogue)
“Collected by Thea Westreich Wagner and Ethan Wagner”, Whitney Museum of American Art, New York / Centre Georges Pompidou, Paris (catalogue)
“Flying over the Abyss”, Contemporary Art Centre of Thessaloniki, Greece
“The Great Mother/La Grande Madre”, Palazzo Reale, Milan (catalogue)
“The Inaugural Installation”, The Broad, Los Angeles (catalogue)
“No Man’s Land: Women Artists from the Rubell Family Collection”, Rubell Family Collection, Miami (catalogue)
“Open This End: Contemporary Art from the Collection of Blake Byrne”, Nasher Museum of Art at Duke University, Durham / The Ohio State University Urban Arts Space, Columbus / Miriam and Ira D. Wallach Art Gallery, New York / Ronna and Eric Hoffman Gallery of Contemporary Art, Portland (catalogue)
“Painting 2.0: Malerei im Informationszeitalter/Expression in the Information Age”, Museum Brandhorst, Munich / Museum moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (catalogue)
“The World is Made of Stories”, Astrup Fearnley Museet, Oslo
“Lo Que No Se Ve”, Museo de Arte Carillo Gil, Mexico City
“Maurizio Nannucci: Top Hundred”, Museion, Bolzano
“Déjà-vu in der Fotokunst”, DZ Bank Kunststiftung, Frankfurt am Mai
“Days of Future Just Past”, Charim Galerie, Vienna
“Flirting with Strangers”, Belvedere 21, Vienna
“Von Bildern. Strategien der Aneignung”, Kunstmuseum Basel
“The Great Mother / La Grande Madre”, Palazzo Reale, Milan
“Woman Rule”, Josh Pazda Hiram Butler, Houston
“Drawings from the Ringier Collection, Chapter I”, Kunst Museum Winterthur
“Selected Sculptures”, Charles Riva Collection, Brussels
“What’s New is New Again”, Marc Jancou, New York
“Cannibalism? On Appropriation in Art”, Zacheta National Gallery of Art, Warsaw
“Dolls”, Paula Cooper Gallery, New York
“Geometries On and Off the Grid: Art From 1950 to the Present”, The Warehouse, Dallas
“Sleepless - The Bed in History and Contemporary Art”, Belvedere 21, Vienna
“The Appropriationist (Against and With)”, Villa du Parc, Centre d’art contemporain, Annemasse
2014
“2014 Whitney Biennial”, Whitney Museum of American Art, New York (catalogue)
“Art at the Center: 75 Years of Walker Collections”, Walker Art Center, Minneapolis
“Pictures, Before and After - an Exhibition for Douglas Crimp”, Galerie Buchholz, Berlin
“(Mis)Understanding Photography: Works and Manifestos”, Museum Folkwang, Essen
“Manifesto! An Alternative History of Photography”, Fotomuseum Winterthur (catalogue)
“No Problem: Cologne/New York 1984-1989”, David Zwirner, New York (catalogue)
“Take It or Leave it: Institution, Image, Ideology”, Hammer Museum, Los Angeles
“Urban Theater: New York Art in the 1980s”, Modern Art Museum of Fort Worth (catalogue)
“Fiona Banner selects from the V-A-C Collection”, Whitechapel Art Gallery, London
“Post Post: East Meets West”, The Saatchi Gallery, London
“Sigmund Freund and the Play on the Burden of Representation”, Belvedere 21, Vienna
“On the Devolution of Culture”, Rob Tufnell, London
“Checkerboard on Table”, Jablonka Galerie, Köln
“Art Lovers: Stories of Art in the Pinault Collection”, Grimaldi Forum, Monaco
“Elective Affinities”, Simon Lee Gallery, London
“Back Grounds: Impressions Photographiques (2)”, Andrea Rosen Gallery, New York
“Legacy: The Emily Fisher Landau Collection”, San Jose Museum of Art
“Primary Elements”, Marc Jancou, New York
“Loveless”, Greene Naftali, New York
“New Pop: Illustrated Americana”, Marc Jancou, New York
“Les Misérables - Post-Conceptual Art”, Dallas Contemporary, Dallas
2013
“Der Schein. Glanz, Glamour, Illusion”, Kestner Gesellschaft, Hannover (catalogue)
“Prima Materia”, Pinault Collection, Punta della Dogana, Venice (catalogue)
“Pro Choice”, Fri Art, Centre d’art de Fribourg / Kunsthalle Freiburg
“Transforming the Known: Works from the Bert Kreuk Collection”, Gemeentemuseum Den Haag (catalogue)
“Freedom Not Genius - Works from Damien Hirst’s Collection”, Multimedia Art Museum, Moscow House of Photography
“Wall Works”, Hamburger Bahnhof, Museum für Gegenwart, Berlin
“Black-and White (and a Little Bit of Blue), Marc Jancou, New York
“Something about a Tree”, Flag Art Foundation, New York
“Viagem ao Princípio: Ida e Volta apresenta”, Museu Serralves, Porto
“Bonjour Monsieur Matisse! Rencontre(s)”, Musee d’art Moderne et d’Art Contemporain Nice
“Playing with Process: Explorations in Experimental Printmaking”, Museum of Fine Arts Houston
“Falsefakes - Vraifauxsemblants”, Centre de la Photographie Genève
“Paint Hotel”, Joe Sheftel Gallery, New York
“En Suspension”, FRAC des Pays de la Loire, Carquefou
“Dreams of Reason. Highlights of the Sandretto Re Rebaudengo Collection”, Centre of Contemporary Art in Turin
“Abstract Generation: Now in Print”, MoMA - Museum of Modern Art, New York
“1980s Revisited”, Skarstedt, New York
“Beg Borrow and Steal”, Palm Springs Art Museum / Taubman Museum of Art, Roanoke
“Qué desear”, Caixa Forum Barcelona
“Torso”, Jablonka Galerie, Köln
2012
“Conceptual Abstraction”, Hunter College Art Galleries, New York
“The Geometric Unconscious: A Century of Abstraction”, Sheldon Museum of Art, Lincoln
“This Will Have Been: Art, Love & Politics in the 1980s”, Institute of Contemporary Arts, London / Institute of Contemporary Art, Boston / Walker Art Center, Minneapolis
“When Does Something Become Something Else?”, Walker Art Center, Minneapolis
“Help/less”, Printed Matter, New York
“Stand Still Like the Hummingbird”, David Zwirner, New York
“Malerei in Fotografie - Strategien der Aneignung”, Städel Museum, Frankfurt am Main
“Ancestral Figure”, Gagosian Gallery, Paris
“Gold”, Belvedere, Vienna / Bass Museum of Art, Miami Beach / Neuberger Museum of Art, Purchase
“The Old, the New, The Different”, Kunsthalle Bern
2011
“Incongru. Quand l’art fait rire”, Musée cantonal des Beaux-Arts, Lausanne (catalogue)
“Sentimental Education”, Gavlak, Palm Beach
“Looking Back / The 6th White Columns Annual”, White Columns, New York
“mémoires du futur - la collection Olbricht”, La Maison Rouge, Paris
“Hirschfaktor - Die Kunst des Zitierens”, ZKM Zentrum für Kunst und Medien, Karlsruhe
“The Thousand Dreams of Stellavista”, Centre d’art contemporain, Delme
“Incongru”, Quand l’art fait rire”, Musée cantonal des Beaux-Arts, Lausanne
“The Indiscipline of Painting: International Abstraction From the 1960s to Now”, Tate St. Ives
“In the Name of the Artists”, Astrup Fearnley Museet, Oslo
“Circa 1986”, Hudson Valley Moca, Peekskill, NY
“Books on Books”, Swiss Institute, New York
“REBUS”, Simon Lee Gallery, London
“We Will Live, We Will See”, Zabludowicz Collection, London
“Kunstkörperlich-Körperkünstlich 3, Bodies”, Kunsthalle Osnabrück
“Faces”, Josh Pazda Hiram Butler, Houston
“Shared Intelligence: American Painting and the Photograph”, Georgia O’Keeffe Museum, Santa Fe / Columbus Museum of Art
“Picture No Picture”, Carriage Trade, New York
“Still Life”, Lismore Castle Arts, Waterford
Jablonka Galerie, Cologne
“Elemental”, Paula Cooper Gallery, New York
“Compass - Drawings from the Museum of Modern Art New York”, Martin Gropius Bau, Berlin
“Anti-Photography”, Focal Point Gallery, Southend-on-Sea, Essex
“The Deconstructive Impulse: Woman Artists Reconfigure the Signs of Power, 1973-1992”, Neuberger Museum of Art, Purchase / Contemporary Arts Museum Houston / Nasher Museum of Art at Duke University, Durham
2010
“8th Gwangju Biennale: 10,000 Lives”, Gwangju (catalogue)
“Haunted: Contemporary Photography/Video/Performance”, Solomon R. Guggenheim Museum, New York (catalogue)
“The Jewel Thief”, Tang Teaching Museum - Skidmore College, Saratoga Springs (catalogue)
“Keeping It Real: An Exhibition in Four Acts. Act 1, The Corporeal”, Whitechapel Gallery, London (catalogue)
“Seconde main/Second hand”, Musée d’Art Moderne de la Ville de Paris
“The Visible Vagina”, Francis M. Naumann Fine Art / David Nolan Gallery, New York
“Your History is Not Our History: New York in the 1980s”, Haunch of Venison, New York
“The Artist as Collector: Olivier Mosset”, Museum of Contemporary Art Tucson
“Public Private Paintings”, Mu.Zee, Oostende
“Lebenslust und Totentanz”, Kunsthalle Krems
“Barbaric Freedom, Simon Lee Gallery, London
“Accrochage”, Jablonka Galerie, Cologne
“Neo Geo & Cie. L’image de l’abstraction à la fin du xxème siècle”, FRAC Limousin, Limoges
“Echo: Sampling Visual Culture”, Buffalo AKG Art Museum
“Moving Patterns”, Krakow Witkin Gallery, Boston
“Faux Bois”, Josh Pazda Hiram Butler, Houston
“Holding Patterns”, Krakow Witkin Gallery, Boston
“Pictures by Women: A History of Modern Photography”, MoMA - Museum of Modern Art, New York
“If My Soul Had A Shape”, Paula Cooper Gallery, New York
“Haunted: Contemporary Photography/Video/Performance”, Solomon R. Guggenheim Museum, New York
“Ruptures and Continuities: Photography Made After 1960 from the MFAH Collection”, Museum of Fine Arts Houston
“C’est la vie! Vanités de Caravage à Damien Hirst”, Musée Maillol, Paris
“Collection Biennials”, Whitney Museum of American Art, New York
2009
“Voids: a Retrospective”, Centre Pompidou, Paris / KunsthalleBern, Bern (catalogue)
“Cézanne and Beyond”, Philadelphia Museum of Art (catalogue)
“The Pictures Generation, 1974-1984”, The Metropolitan Museum of Art, New York (catalogue)
“After Image”, Paula Cooper Gallery, New York
“Pete and Repeat: Works from the Zabludowicz Collection”, Zabludowicz Collection, London (catalogue)
“Don’t Perish”, Leo Koenig Inc Projekte, New York
“Beg Borrow and Steal”, Rubell Family Collection, Miami
“Rip-Off: Between Appropriation and the Appropriated”, Armand Bartos Fine Art, New York
“A Tribute to Ron Warren”, Mary Boone Gallery, New York
“David LaChapelle, Sherrie Levine, Mike Kelley, Andreas Slominski, Haim Steinbach”, Jablonka Galerie, Berlin
“Un Coeur Simple”, Galerie sans titre, Brussels
“Photography”, Paula Cooper Gallery, New York
“Five Decades of Passion, Part Two: The Founding of the Center, 1989-1991”, Fisher Landau Center for Art, New York
“Where Do We Go From Here? Selections from La Colección Jumex, The Bass Museum of Art, Miami / Cincinnati Contemporary Arts Center
“Investigations of a Dog”, Fondazione Sandretto Re Rebaudengo, Torino / Ellipse Foundation, Alcoitao / La Maison Rouge, Paris / Magasin III Stockholm Konsthall, Stockholm / Deste Foundation for Contemporary Art, Athens (catalogue)
“Portrait of the Artist as a Motorcyclist”, Le Magasin, Centre National d’Art Contemporain, Grenoble / Musée des beaux-arts de la Chaux-de-Fonds, Neuchâtel
“Stripes/Solids”, Paula Cooper Gallery, New York
“Faux-Semblants”, Maison de la Culture Namur
“Werken, Fragmenten Van Een Collectie”, Stuk Kunstcentrum, Leuven
“A Tribute to Ron Warren”, Mary Boone Gallery, New York
“Blocks of Color: American Woodcuts from the 1890s to the Present”, Zimmerli Art Museum, New Brunswick
“Paintings By”, Simon Lee Gallery, London
“Constellations: Paintings from the MCA Collection”, Museum of Contemporary Art Chicago
“Sculpture”, Margo Leavin Gallery, Los Angeles
“After Image”, Paula Cooper Gallery, New York
“La nada y el ser”, Galeria Jumex, Mexico City
“Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection”, MoMA - Museum of Modern Art, New York (catalogue)
“La Vie Mode D’Emploi”, Sutton Lane, Paris
2008
“2008 Whitney Biennial”, Whitney Museum of American Art, New York (catalogue)
“7th Gwangju Biennale”, Gwangju (catalogue)
“Archive Fever: Uses of the Document in Contemporary Art”, International Center of Photography, New York (catalogue)
“Color Chart: Reinventing Color, 1950 to Today”, The Museum of Modern Art, New York / Tate Liverpool (catalogue)
“Listen Darling… The World Is Yours”, Ellipse Foundation Contemporary Art Collection, Alcoitão Cascai
“Martian Museum of Terrestrial Art”, Barbican Art Gallery, London (catalogue)
“Meet Me Around the Corner”, Astrup Fearnley Museet, Oslo
“Photography on Photography: Reflections on the Medium Since 1960”, The Metropolitan Museum of Art, New York
“Pipe, Glass, Bottle of Rum: The Art of Appropriation”, The Museum of Modern Art, New York
“Progress”, Whitney Museum of American Art, New York
“First Step”, The National Museum in Cracow, Krakow (catalogue)
“Jedermann Collection”, Fotomuseum Winterthur (catalogue)
“Equivalence: Acts of Translation in Contemporary Art”, Museum of Fine Arts Houston
“La invención de lo cotidiano”, Museo Nacional de Arte, Mexico City
“Reverb”, Jablonka Galerie, Cologne
“Menagerie: Animals and Nature”, Jack Hanley Gallery, New York
“For What You Are About to Receive”, Gagosian Gallery, New York
“An Unruly History of the Readymade”, Galerie Jumex, Mexico City
“Progress”, Whitney Museum of American Art, New York
“Painting - Now and Forever, Part II”, Matthew Marks Gallery, New York
“Facebook: Images of People in Photographs From the Collection”, The Frances Lehman Loeb Art Center, Poughkeepsie
“Real. Fotografien aus der Sammlung der DZ-Bank”, Städel Museum, Frankfurt am Main
“Living Flowers: Ikebana and Contemporary Art”, Japanese American National Museum, Los Angeles
“Blasted Allegories. Werke aus der Sammlung Ringier”, Kunstmuseum Luzern, Lucerne
“35% Vrai 60% Faux”, Simon Lee Gallery, London
“Entre Temps”, FRAC Poitou-Charentes, Angoulême
“Prefab”, Gagosian gallery, New York
“Shoes”, Gavlak Gallery, Palm Beach
“Wood”, Paula Cooper Gallery, New York
“Art Metropole: The Top 100”, MSVU Art Gallery, Halifax
“Sculptural Concepts”, Richmond Center for Visual Arts, Kalamazoo
2007
“Things In Art of the Twentieth Century and Beyond”, The National Art Center, Tokyo (catalogue)
“Take 2: Women Revisiting Art History”, Mills College of Art, Oakland (catalogue)
“Real Life Magazine 1979-1990”, Artists Space, New York (catalogue)
“What does the jellyfish want? Photographs from Man Ray to James Coleman”, Museum Ludwig, Cologne (catalogue)
“Modern Photographs from the Collection XIV”, Metropolitan Museum of Art, New York
“What Is Painting? Contemporary Art from the Collection”, MoMA - Museum of Modern Art, New York
“Scenes and Sequences: Peter Blum Edition, New York. A Selection from 1980 to 2006”, Aargauer Kunsthaus (catalogue)
“30th Anniversary: Collection of the National Museum of Art”, National Museum of Art, Osaka
“Fit to Print: Printed Media in Collage”, Gagosian Gallery, New York
“Face to Face: The Daros Collections, Part 1”, Daros Exhibitions, Zurich
“I Am As You Will Be: The Skeleton in Art”, Cheim & Read, New York
“More Than the World”, Astrup Fearnley Museet for Moderne Kunst, Oslo
“A New Reality: Black-and-White Photography in Contemporary Art”, Zimmerli Art Museum, New Brunswick
“Sculpture”, James Kelly Contemporary, Santa Fe
“Themes and Variations in Painting and Sculpture”, Museum of Fine Arts Houston
“This Place is Ours! Recent Acquisitions at the Academy”, Pennsylvania Academy of the Fine Arts Museum, Philadelphia
“Someone Else With my Fingerprints”, Galerie Chantal Crousel, Paris
“Paper: Featuring Traditional and Innovative Uses of the Medium”, Fisher Landau Center for Art, New York
“Painting and Sculpture”, Fisher Landau Center for Art, New York
“Still Live & Kicking”, Paula Cooper Gallery, New York
“Rockers Island: Olbricht Collection”, Museum Folkwang, Essen
“Scenes and Sequences - Peter Blum Edition, New York”, Aargauer Kunsthaus, Aarau
“Beneath the Underdog”, Gagosian Gallery, New York
“Half Square Half Crazy”, Villa Arson, Nice
“Reallife 1979-1990”, Artists Space, New York
“Take 2”, Mills College Art Museum, Oakland
2006
“The Downtown Show. The New York Art Scene 1974-1984”, Grey Art Gallery, New York
“Singular Multiples: The Peter Blum Edition Archive 1980-1994”, Museum of Fine Arts, Houston (catalogue)
“Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago Collections”, Museum of Contemporary Art, Chicago “Glass: Material Matters”, Los Angeles County Museum of Art (catalogue)
“Freud and Contemporary Art: The Collection of The Sigmund Freud Museum Vienna”, Austrian Cultural Forum, New York (catalogue)
“The Gold Standard”, P.S.1 Contemporary Art Center, Long Island City
“Quartet - Barney, Gober, Levine, Schütte”, Walker Art Center, Minneapolis
“Margritte and Contemporary Art: The Treachery of Images”, LACMA - Los Angeles County Museum of Art (catalogue)
“The Gold Standard”, MoMA PS1, New York
“Egon Schiele: Vorbild und Widersacher in der zeitgenössischen Kunst”, Belvedere, Vienna
“Nach Schiele”, Augarten Contemporary, Vienna
“On Second Thought”, Perry Rubenstein Gallery, New York
“Voyage(s) en Utopie. Jean-Luc Godard 1946-2006. In Search of Lost Theorem”, Centre Pompidou, Paris
“An Ongoing Low-Grade Mystery”, Paula Cooper Gallery, New York
“Glass - Material Matters”, LACMA - Los Angeles County Museum of Art (catalogue)
2005
“Drawing from the Modern, 1975-2005”, MoMA - Museum of Modern Art, New York (catalogue)
“Atlantic & Bukarest. Photography, Film and Video: New Acquisitions of the Kunstmuseum Basel and the Emanuel Hoffmann-Stiftung”, Kunstmuseum Basel, Basel
“Logical Conclusions: 40 Years of Rule-Based Art”, Pace Gallery, New York (catalogue)
“Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections”, Walker Art Center, Minneapolis (catalogue)
“Quartet: Barney, Gober, Levine, Walker”, Walker Art Center, Minneapolis
“Flashback: Eine Revision der Kunst der 80er Jahre / Flashback: Revisiting the Art of the 80s”, Museum für Gegenwartskunst, Basel (catalogue)
“Seeing Double”, CCS Bard Hessel Museum of Art, Annandale-on-Hudson / Berrie Center Art Galleries at Ramapo College, Mahwah
“Zoo Story: An Exhibition of Animals in Art”, Fisher Landau Center for Art, New York
“Dessins de la collection”, Musée d’art contemporain de Montréal
“Private View 1980-2000. Collection Pierre Huber”, Musée cantonal des Beaux-Arts, Lausanne
“Bidibidobidiboo”, Fondazione Sandretto Re Rebaudengo, Torino
“For Presentation and Display - Some Art of the 80s”, Princeton University Art Museum
“Just Do It: Die Subversion der Zeichen von Marcel Duchamp bis Prada Meinhof”, Lentos Kunstmuseum Linz
“The Telefonica Contemporary Photography Collection”, MARCO - Museo de Arte Contemporánea de Vigo
2004
“Singular Forms (Sometimes Repeated): Art from 1951 to the Present”, Guggenheim Museum, New York (catalogue)
“5th International Biennial SITE Santa Fe. Disparities and Deformations: Our Grotesque”, Site Santa Fe (catalogue)
“Between Art and Life: The Contemporary Painting and Sculpture Collection”, San Francisco Museum of Modern Art
“Behind Closed Doors”, Katonah Museum of Art
“Tear Down This Wall: Paintings from the 1980s”, Museum of Contemporary Art, Los Angeles
“Mirrorical Returns: Marcel Duchamp and Twentieth Century Art”, The National Museum of Art, Osaka / Yokohama Museum of Art, Yokohama (catalogue)
“La lettre volée”, FRAC Franche-Comté, Besançon / Musée des Beaux Arts de Dôle
“About Painting”, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs
“Da capo”, De 11 Lijnen, Oudenburg
“Last One On is a Soft Jimmy”, Paula Copper Gallery, New York
“Vanitas. Eitelkeit von den Ijdelheden”, IKOB - Museum für Zeitgenössische Kunst Eupen
“Casa de luz - Collección Mário Teixeira da Silva”, Foto Colectania, Barcelona
“Wide Open Spaces”, MoMA PS1, New York
“V.I.P.2 - Die Neuen”, Museum Morsbroich, Leverkusen
“The Last Picture Show”, MARCO - Museo de Arte Contemporánea de Vigo
“Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001”, Wexner Center for the Arts, Columbus
“Close up: Contemporary US Art”, National Gallery of Iceland, Reykjavik
“Support - Die Neue Galerie als Sammlung. 1950 - Heute”, Universalmuseum Joanneum, Neue Galerie, Graz
“The Reality of Things”, Triple Candie, New York
2003
“Matisse and Beyond: A Century of Modernism”, San Francisco Museum of Modern Art
“Presence. An Examination of the Relationship between Abstraction and Representation in Recent Art”, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, New York
“Crimes and Misdemeanors: U.S. Art of the Reagan 80s”, Contemporary Art Center, Cincinnati
“Influence, Anxiety and Gratitude”, MIT List Visual Arts Center, Cambridge
“Aftershock. The Legacy of the Readymade in Post-War and Contemporary American Art”, Dickenson Roundell Gallery, New York (catalogue)
“Accessoire Maximalismus”, Kunsthalle zu Kiel (catalogue)
“The Last Picture Show: Artists Using Photography 1960-1982”, Walker Art Center, Minneapolis / Hammer Museum, Los Angeles / Miami Art Central / Museo de Arte Contemporánea de Vigo / Fotomuseum Winterthur (catalogue)
“Wall Works I”, Cais Gallery, Seoul
“American Tableux: Many Voices, Many Stories”, Miami Art Museum, Miami
“Living with Duchamp”, Tang Teaching Museum, Skidmore College, Saratoga Springs
“The Unhomely”, Kettle’s Yard, Cambridge University, Cambridge (catalogue)
“Stranger in the Village”, MoMA - Museum of Modern Art, New York / Guild Hall, East Hampton, New York
“The Recurrent, Haunting Ghost: Reflections of Marcel Duchamp in Modern and Contemporary Art”, Francis M. Naumann Fine Art, New York
“Undomesticated Interiors”, Smith College Museum of Art at The Brown Art Center, Smith College, Northampton
“LEI… Women in Italian Collections”, Fondazione Sandretto Re Rebaudengo, Torino
“Everyday Aesthetics”, Astrup Fearnley Museet for Moderne Kunst, Oslo
“Accessoire Maximalismus”, Kunsthalle zu Kiel (catalogue)
“Matando el tiempo y escuchando entre las líneas, Galeira Jumex, Mexico City
“ReProduktion 2”, Lombardi Kargl, Vienna
2002
“But Is It Real?”, Williams College Museum of Art, Williamstown
“7 Grays”, Paula Cooper Gallery, New York
“From the Observatory”, Paula Cooper Gallery, New York
“Walk Around Time”, Walker Art Center, Minneapolis
“Painting on the Move. Es gibt kein letztes Bild - Malerei nach 1968”, Museum für Gegenwartskunst, Basel (catalogue)
“Jokes”, Musée d’art moderne et contemporain, Geneva
“Visions from America: Photographs from the Whitney Museum of Art”, The Whitney Museum of American Art, New York
“Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art Chicago”, Museum of Contemporary Art Chicago (catalogue)
“Living Room”, Jablonka Galerie, Cologne
“L’art en marche”, National Gallery of Canada, Ottawa
“Alter Eco: 25 Artistes Contemporaines a Luxembourg”, Musée de la Ville de Luxembourg (catalogue)
“Sculpture”, Margo Leavin Gallery, Los Angeles
“Photography Transformed”, The Cleveland Museum of Art, Cleveland
“Teoría del ocio”, Galeria Jumex, Mexico City
2001
“Mythic Proportions. Painting in the Eighties”, Museum of Contemporary Art, North Miami (catalogue)
“As Painting: Division and Displacement”, Wexner Art Center, Columbus, Ohio (catalogue)
“8 Triennale Kleinplastik”, Fellbach
“Recent Acquisitions”, Kunstsammlung NRW, Düsseldorf
“Museum unserer Wünsche / Museum of Our Wishes”, Museum Ludwig, Cologne (catalogue)
“Beautiful Productions”, Whitechapel Art Gallery, London
“Postmodern Americans: A Selection”, The Menil Collection, Houston
“About Face. Selections from the Department of Prints and Illustrated Books”, The Museum of Modern Art, New York
“Collaborations with Parkett: 1984 to Now”, MoMA - Museum of Modern Art, New York
“Selections from the Permanent Collection and Recent Acquisitions”, Miami Art Museum
“American Tableaux”, Walker Art Center, Minneapolis / Miami Art Museum / Delaware Art Museum, Wilmington / University of Iowa Museum of Art / Winnipeg Art Gallery / Plains Art Museum, Fargo
“‘Pictures’ at an Exhibition”, Artists Space, New York
“A Work in Progress - Selections from the New Museum Collection”, New Museum, New York
“Greed and Other Recent Acquisitions”, ICP - International Center of Photography, New York
“Sherrie Levine & Donald Judd”, Paula Cooper Gallery, New York
2000
“The American Century. Art & Culture 1900-2000”, The Whitney Museum of American Art, New York (catalogue)
“Open Ends”, MoMA - Museum of Modern Art, New York
“One Thing after Another”, MoMA - Museum of Modern Art, New York
“Actual Size”, MoMA - Museum of Modern Art, New York
“Aspectos de la Coleccion”, Fundación La Caixa, Madrid
“Century of Innocence: The History of the White Monochrome”, Rooseum Center for Contemporary Art, Malmö / Liljevalch Konsthall, Stockholm (catalogue)
“Around 1984: A Look at Art in the Eighties”, P.S.1 Contemporary Art Center, Long Island City (catalogue)
“Library”, Margo Leavin Gallery, Los Angeles
“Picturing Media: Modern Photographs from the Permanent Collection”, Metropolitan Museum of Art, New York
“Ambiguity: Layers of Information”, Marywood University Art Gallery, Scranton
“Around 1984 - A Look at Art in the Eighties”, MoMA PS1, New York
“Art at Work: Forty Years of the Chase Manhattan Collection”, Queens Museum of Art, New York
“150 Years of Photography”, Davison Art Center, Middletown
“Fact/Fiction. Contemporary Art That Walks the Line”, SFMOMA - San Francisco Museum of Modern Art
“Careless Exhibition of Twenthieth Century Product Design”, LACE - Los Angeles Contemporary Exhibitions
1999
“The American Century: 1900-2000, Part Two”, The Whitney Museum of American Art, New York (catalogue)
“Art at Work. Forty Years of The Chase Manhattan Collection”, Contemporary Arts Museum, Houston / Queens Museum of Art, Flushing Meadows (catalogue)
“Wände / Wallworks”, Paula Cooper Gallery, New York / Museum Villa Stuck, Munich (catalogue)
“Sight Gags: Grotesque, Caricature and Wit in Modern Art and Contemporary Drawing”, MoMA - Museum of Modern Art, New York
“The Museum as Muse: Artists Reflect”, MoMA - The Museum of Modern Art, New York (catalogue)
“Die Erste Sammlung zu Gast”, Kunsthaus Muerz, Mürzzuschlag
Sammlung Falkenberg, Hamburg
“Examining Pictures: Exhibiting Paintings”, Whitechapel Gallery, London / Museum of Contemporary Art Chicago / Hammer Museum, Los Angeles (catalogue)
“Sherrie Levine / Joost van Oss”, Paula Cooper Gallery, New York (catalogue)
“Originale echt/falsch”, Weserburh Museum für Moderne Kunst, Bremen
“Sherrie Levine - Joost van Oss. New Sculpture. 1966-1999”, MAMCO - Musée d’art moderne et contemporain, Geneva
“Sherrie Levine / Joost van Oss”, Jablonka Galerie, Cologne
“Têtê à têtê = Face to Face”, Musée d’art contemporain de Montréal
“Wall Works”, Paula Cooper Gallery, New York
1998
“100 Years of Sculpture. From the Pedestal to the Pixel”, Walker Art Center, Minneapolis
“Collection, un autre regard”, CAPC Musée d’art contemporain, Bordeaux
“The Art of the 80s”, Culturgest, Lisbon (catalogue)
Centennial Exhibition, Wiener Secession, Vienna / Rudolfinum, Prague (catalogue)
“Take Two”, Kunstverein in Hamburg
24th Bienal de São Paulo (catalogue)
“Emotion: Young British and American Art from Sammlung Goetz”, Deichtorhallen Hamburg (catalogue)
“Parkett-Künstlereditionen”, Museum Ludwig, Köln / Cologne Sculpture / Paula Cooper Gallery, New York
“Recycling Art History”, Pittsburgh Center for the Arts, Pittsburgh
“Double Trouble: The Patchett Collection”, Museum of Contemporary Art San Diego / Museo de las Artes and Instituto Cultural Cabañas, Guadalajara / Museo de Monterrey / Museo Universitario Contemporáneo de Arte, Mexico City / Auditorio de Galicia and Iglesia San Domingos de Bonaval / Santiago de Compostela / Sala Amós Salvador, Logroño (catalogue)
“Veronica’s Revenge: Photographies de la collection LAC-Suisse”, Deichtorhallen, Hamburg / Casino Luxembourg et Musée national d’histoire et d’art, Luxembourg / Museum of Contemporary Art Australia, Sydney
“Fast Forward, Phase 2 - Trade Marks”, Kunstverein in Hamburg
“The Promise of Photography: Selections from the DG Bank Collection”, Hara Museum of Contemporary Art, Tokyo / Kestnergesellschaft, Hannover / MoMA PS 1, New York (catalogue)
“Painting - Now and Forever, Part I”, Matthew Marks Gallery, New York
“Tillbaka till åttiotalet - redan? / Isn’t It Too Early for the Eighties Yet?”, Rooseum Center for Contemporary Art, Malmö
“Travel and Leisure”, Paula Cooper Gallery, New York
“L’hypothèse du tableau volé”, MAMCO - Musée d’art moderne et contemporain, Geneva
“Thinking Print: Books to Billboards, 1980-1995”, Henry Art Gallery, Seattle
1997
“Multiple Identity: American Art from the Whitney Museum 1975-1995”, National Gallery and Alexandros Soutzos Museum, Athen / Athens / Museo d’Art Contemporani, Barcelona / Castello di Rivoli Museo d’Arte Contemporanea, Torino / Museo d’Arte Contemporanea, Milan / Kunstmuseum Bonn, Bonn (catalogue)
“Views from Abroad. American Realities”, Tate Gallery, London / The Whitney Museum of American Art, New York (catalogue)
“Homage to George Herriman”, Campbell-Thiebaud Gallery, San Francisco (catalogue)
“Gerrit Rietveld & Sherrie Levine”, Galerie Ulrich Fiedler, Cologne / Foundation for the Arts, Sigmund Freud Museum, Vienna (catalogue)
“Modernist French Design and Sherrie Levine”, Margo Leavin Gallery, Los Angeles
“Maxwell’s Demon”, Margo Leavin Gallery, Los Angeles
“Die Erste Sammlung zu Gast im Kunsthaus Mürzzuschlag”, Kunsthaus Muerz, Mürzzuschlag
“Critiques of Pure Abstractions”, Weisman Art Museum, Minneapolis
“Silent & Violent: Selected Artists”, MAK Center for Art and Architecture, West Hollywood
“Selected Works from the Refco Collection”, Gallery 400, University of Illinois at Chicago
1996
“Rational and Irrational”, The Whitney Museum of American Art, New York
“Abstraction, Pure and Impure”, Museum of Modern Art, New York
“Private Passions”, Modern Art Museum, Paris (catalogue)
“Everything That’s Interesting Is New: The Dakis Joannou Collection”, Deste Foundation, Athens / Athens School of Fine Arts (catalogue)
“The Mediated Object: Selections from the Eli Broad Collections”, Fogg Art Museum, Cambridge
“New Art on Paper 2”, Philadelphia Museum of Art, Philadelphia (catalogue)
“Thinking Print: Books to Billboards, 1980-95”, The Museum of Modern Art, New York (catalogue)
“Museum Vitale”, Museum Morsbroich, Leverkusen (catalogue)
“Painting into Photography / Photography into Painting”, Museum of Contemporary Art, North Miami (catalogue)
“From the Collection: Abstraction, Pure and Impure”, The Museum of Modern Art, New York (catalogue)
“L’oeil du collectionneur”, Musée d’art contemporain de Montréal
“Women’s Work”, Greene Naftali, New York
1995
“Critiques of Pure Abstraction”, Sarah Campbell Blaffer Gallery, University of Houston / Illingworth Kerr Gallery, Alberta College of Art and Design, Calgary / Sheldon Museum of Art, Lincoln / Hammer Museum, Los Angeles / Crocker Art Museum, Sacramento / Lowe Museum, University of Miami / Weisman Art Museum, University of Minnesota (catalogue)
“Pittura Immedia”, Neue Galerie am Landesmuseum Joanneum, Graz (catalogue)
“In a Different Light: Visual Culture, Sexual Identity, Queer Practice”, Berkeley Art Museum and Pacific Film Archive, Berkeley (catalogue)
“L’immagine reflessa”, Centro per l’Arte Contemporanea Luigi Pecci, Prato (catalogue)
“Temporarily Possessed”, The New Museum, New York (catalogue)
“Untitled (Reading Room)”, Margo Leavin Gallery, Los Angeles
“25 Years”, Margo Leavin Gallery, Los Angeles (catalogue)
“Album: The Photographic Collection of Museum Boijmans-Van Beuningen, Rotterdam
“Summer Academy 2”, Pace Gallery, New York
1994
“Pictures of the Real World (In Real Time)”, Le Consortium, Dijon
“Master Prints from the Collection”, MoMA - Museum of Modern Art, New York
“After Art: Rethinking 150 Years of Photography”, Henry Art Gallery, University of Washington, Seattle (catalogue)
“Group Exhibition”, Musée d’art modern et contemporain, Geneva (catalogue)
“Aura”, Wiener Secession, Vienna (catalogue)
“Duchamp’s Leg”, Walker Art Center, Minneapolis / Center for the Fine Arts, Miami
“Pictures of the Real World (In Real Time)”, Paula Cooper Gallery, New York
“Die Erste Sammlung. Von 1988 bis 1994. Positionen aktueller Kunst”, Akademie der Bildenden Künste Wien, Vienna (catalogue)
“Kunst der 90er Jahre: Die neue Sammlung der Neuen Galerie”, Universalmuseum Joanneum, Neue Galerie, Graz
“After and Before”, The Renaissance Society, Chicago
“A Garden”, Krakow Witkin Gallery, Boston
“Contemporary Watercolors: Europe and America”, University of North Texas Art Gallery, Denton
1993
“The Elusive Object: Recent Sculpture from the Permanent Collection of the Whitney Museum of American Art”, Whitney Museum of American Art at Champion, Stamford (catalogue)
“Konstruktion Zitat: Kollektive Bilder in der Fotografie”, Sprengel Museum, Hannover (catalogue)
“Photoplay”, Center for the Fine Arts, Miami / Museum Amparo, Puebla / Museo de Art Contemporáneo de Monterrey / Centro Cultural Consilidado, Caracas / Museo de Arte de São Paolo / Museo Nacional de Bellas Artes, Buenos Aires / Museo Nacial de Bellas Artes, Santiago (catalogue)
“In Classical Vein: Works From the Permanent Collection”, Whitney Museum of American Art, New York
“Personal Choice: Selections from Four Penn Alumni Collections”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
“Patently Missing”, Krakow Witkin Gallery, Boston
1992
“Allegories of Modernism: Contemporary Drawing”, The Museum of Modern Art, New York (catalogue)
“Inscapes”, De Appel, Amsterdam (catalogue)
“Repetición/Transformación”, Museo Nacional Centro de Arte Reina Sofía, Madrid (catalogue)
1991
“The Picture after the Last Picture”, Galerie Metropol, Vienna / Stedelijk Museum ‘s-Hertogenbosch (catalogue)
“Beyond the Frame: American Art, 1960-1990”, Setagaya Art Museum, Tokyo / The National Museum of Art, Osaka / Fukuoka Art Museum (catalogue)
“Aspects de l’art du XXe siècle: le chef-d’oeuvre à l’épreuve de sa copie, Abbaye Saint-André, Centre d’Art Contemporain, Meymac
“Devil on the Stairs: Looking Back on the Eighties”, Institute of Contemporary Art, Philadelphia (catalogue)
“Oeuvres originales”, FRAC des pays de la Loire, Gétigné-Clisson (catalogue)
“Works on Paper”, Jack Hanley Gallery, San Francisco
“Objects for the Ideal Home: The Legacy of Pop Art, Serpentine Gallery, London
“Inscapes”, de Appel Arts Centre, Amsterdam
“Transcendent Pop”, Jack Hanley Gallery, San Francisco
“Strategies for the Last Painting”, Wolff Gallery, New York
“Who Framed Modern Art or the Quantitive Life of Roger Rabbit”, Sidney Janis Gallery, New York
1990
“Culture and Commentary: An Eighties Perspective”, Hirshhorn Museum and Sculpture Garden, Washington, DC (catalogue)
“With the Grain: Contemporary Panel Painting”, The Whitney Museum of American Art, Fairfield County, Stamford (catalogue)
“Life Size. The Readymade and After”, The Israel Museum, Jerusalem (catalogue)
“Un art de la distinction?”, Centre d’Art Contemporain Abbaye Saint-André, Meymac (catalogue)
“Affinités selectives V: Sherrie Levine / Bertrand Lavier”, Palais des Beaux-Arts, Brussels (catalogue)
“The Charade of Mastery”, The Whitney Museum of American Art at Federal Reserve Plaza, New York
“Feux pâles”, CAPC Musée d’art contemporain, Bordeaux (catalogue)
“Strategies for the Last Painting”, Richard Feigen Gallery, Chicago
“The Last Decade: American Artists of the 80s”, Shafrazi Gallery, New York
“Tryk ok multiples”, Galleri Susanne Ottesen, Copenhagen
“Taking the Picture: Photography and Appropriation”, Leo Castelli Gallery, New York
“Stripes”, Krakow Witkin Gallery, Boston
“The Indomitable Spirit: Photographers and Artists Respond in the Time of Aids”, International Center of Photography, New York
1989
“1989 Whitney Biennial”, Whitney Museum of American Art, New York (catalogue)
“18th Ljubljana Biennale of Graphic Arts”, Ljubljana Biennale of Graphic Arts
“Bilderstreit”, Rheinhalle, Cologne (catalogue)
“Prospect 89: Eine Internationale Ausstellung aktueller Kunst”, Frankfurter Kunstverein / Schirn Kunsthalle, Frankfurt (catalogue)
“A Forest of Signs: Art in the Crisis of Representation”, Museum of Contemporary Art, Los Angeles (catalogue)
“Confronting the Uncomfortable: Questioning Truth and Power,” Yale University Art Gallery, New Haven (catalogue)
“What is Contemporary Art”, Rooseum, Malmö (catalogue)
“Image World: Art and Media Culture”, Whitney Museum of American Art, New York (catalogue)
“Wittgenstein: Das Spiel des Unsagbaren / The Play of the Unsayable”, Secession, Vienna (catalogue)
“Recent Acquisitions”, MoMA - Museum of Modern Art, New York
“The Desire of the Museum”, Whitney Museum of American Art, New York
“L’art au plus que parfait”, Centre d’art contemporain Abbaye St. André, Meymac
1988
“1988 Carnegie International”, Carnegie Museum of Art, Pittsburgh (catalogue)
“Cultural Geometry”, DESTE Foundation for Contemporary Art, Athens (catalogue)
“The Image of Abstraction”, The Museum of Contemporary Art, Los Angeles (catalogue)
“L’Objet de l’exposition”, Centre National des Arts Plastiques, Paris (catalogue)
“11. Internationale Triennale für Originalgrafik”, Kunsthaus Grenchen
“Hover Culture”, Metro Pictures, New York
“1988: The World of Art Today”, Milwaukee Art Museum
“Towards the Photograph as a Vulgar Document”, Optica - Centre for Contemporary Art, Montreal
“Media Post Media”, Scott Hanson Gallery, New York
1987
“New York Art Now”, The Israel Museum, Jerusalem (catalogue)
“Avant-Garde in the Eighties”, Los Angeles County Museum of Art, Los Angeles
“Photography and Art 1946-1986”, Los Angeles County Museum of Art (catalogue)
“Post-Abstract Abstraction”, The Aldrich Museum of Contemporary Art, Ridgefield (catalogue)
“Implosion”, Moderna Museet, Stockholm (catalogue)
1986
“6th Biennale of Sydney: Originals, Originality + Beyond”, Art Gallery of New South Wales, Sydney (catalogue)
“Abstract Appropriations”, Grey Art Gallery, New York
“Political Geometries”, Hunter College Art Gallery, New York (catalogue)
“Tableaux abstraits”, Villa Arson, Nice (catalogue)
“Endgame: Reference and Simulation in Recent Painting and Sculpture”, Institute of Contemporary Art, Boston (catalogue)
“Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940 Museum Ludwig Köln”, Museum Ludwig, Cologne (catalogue)
“El Arte y su Doble: Una Perspectiva de Nueva York/Art and its Double: A Perspective on New York”, Fundación Caixa de Pensions, Barcelona (catalogue)
“Sherrie Levine and Haim Steinbach”, Jay Gorney Modern Art, New York
“Signs of Painting”, Metro Pictures, New York
1985
“Whitney Biennial”, Whitney Museum of American Art, New York (catalogue)
“Venacular Abstraction”, Wacoal Art Center, Tokyo (catalogue)
“Correspondences”, La Fôret Museum, Tokyo (catalogue)
“Talking Back to the Media”, Foundation De Appel, Amsterdam
“Repetitions: A Postmodern Dynamic”, Hunter College Art Gallery, New York (catalogue)
“Between Here and Nowhere: 9 New York Artists”,
1984
“Difference: On Sexuality and Representation”, New Museum, New York / The Renaissance Society at the University of Chicago / Institute of Contemporary Arts, London) (catalogue)
“Ailleurs et Autrement”, MAM - Musée d’Art Moderne de la Ville de Paris (catalogue)
“Between Here and Nowhere”, Riverside Studios, London / Orchard Gallery, Derry / Midland Group Gallery, Nottingham / Kettle’s Yard, Cambridge (catalogue)
“Artists Space Tenth Anniversary Show”, Hirshhorn Museum, Washington DC (catalogue)
“Drawings After Photography”, Allen Memorial Art Museum, Oberlin College (catalogue)
“Image Scavengers”, Institute of Contemporary Art, Philadelphia (catalogue)
“Art and Politics”, Allem Memorial Art Msueum, Oberlin College (catalogue)
“Content: A Contemporary Focus. 1974-1984”, Hirshhorn Museum and Sculpture Garden, Washington
“Disarming Images - Art for Nuclear Disarmament”, Cincinnati Contemporary Arts Center
“A Decade of New Art”, Artists Space, New York
“The New Portrait”, MoMA PS1, New York
1983
“Seventy-Fourth American Exhibition”, Chicago Art Instiute (catalogue)
1982
documenta VII, Kassel (catalogue)
“Art and Social Change”, Allem Memorial Art Museum, Oberlin College (catalogue)
“Image Scavengers: Photography”, Institute of Contemporary Art, University of Pennsylvania (catalogue)
“Mannerism: A Theory of Culture”, Vancouver Art Gallery (catalogue)
“American Painting and Sculpture 74th Annual”, The Art Institue of Chicago
1981
“Inespressionismo Americano”, Museo di S. Agostino, Genoa (catalogue)
“Couches, Diamonds and Pie”, P.S.1 Contemporary Art Center, Long Island City
“Erweiterte Fotografie. 5. Wiener Biennale”, Wiener Secession (catalogue)
“Photo”, Metro Pictures, New York
1980
“Pictures and Promises”, The Kitchen, New York
“Remembrances for Tomorrow”, New 57 Gallery, Edinburgh
“Horror Pleni”, Padiglione d’arte Contemporanea, Milan (catalogue)
“Opening Group Show”, Metro Pictures, New York
“Dammi Il Tempo Di Guardara. Pitture D’oggi a New York”, Padaglione d’Arte Contemporanea, Milan
1978
Hallswalls Contemporary Arts Center, Buffalo
1977
“Pictures”, Artists Space, New York (catalogue)