Mark Leckey

Biography

1964
born in Birkenhead

lives and works in London

Education

1987-1990
BA Fine Arts, Newcastle upon Tyne Polytechnic, Newcastle

Solo Exhibitions

2020
Galerie Buchholz, Berlin
“Acute Art at Julia Stoschek Collection: Mark Leckey”, Julia Stoschek Collection, Berlin

2019
“O’Magic Power of Bleakness”, Tate Britain, London (catalogue)
Output Gallery, Liverpool
“Spot On: Mark Leckey”, Museum Brandhorst, Munich

2018
“A Christmas Ghost Story”, Cabinet Gallery, London
“Nobodaddy”, Tramway, Glasgow

2017
“Mark Leckey: He Thrusts his Fists against the Posts but Still Insists he Sees the Ghosts”, Statens Museum for Kunst, Copenhagen
“Mark Leckey: Affect Bridge Age Regression”, Cubitt, London

2016
“Containers and Their Drivers”, curated by Stuart Comer & Peter Eleey, MoMA PS1, New York
“Zoo Logic”, The Walker Art Gallery, Liverpool
Manifesta 11, Zurich
“UniAddDumThs”, Gavin Brown’s enterprise, Sant’Andrea de Scaphis, Rome
“This Kolossal Kat, that Massive MOG”, Grundy Art Gallery, Blackpool
“Dream English Kid 1964 – 1999 AD”, Galerie Buchholz, Berlin (exhibition booklet)
“Dream English Kid”, Liverpool Biennial 2016, Liverpool
“Meeting at Conway Hall”, Conway Hall, London (with Bonnie Camplin)

2015
“Lending Enchantment to Vulgar Materials”, Museo Madre, Naples
“We Transfer”, Secession, Vienna
“Dream English Kid 1964 – 1999 AD”, Cabinet Gallery, London
“As If”, curated by Patrizia Dander, Haus der Kunst, Munich (catalogue)
“UniAddDumThs”, Kunsthalle Basel, Basel
“Technologism”, Monash University Museum of Art, Melbourne (catalogue)

2014
“The Husk”, Untitled, New York
“A Month of Making”, Gavin Brown’s enterprise, New York
“Lending Enchantment to Vulgar Materials”, curated by Elena Filipovic, Wiels, Brussels (catalogue)

2013
“On Pleasure Bent”, The Hammer Museum, Los Angeles
“The Universal Addressability of Dumb Things”, curated by Mark Leckey, Bluecoat, Liverpool / Nottingham Contemporary, Nottingham / De La Warr Pavilion, Bexhill-on-Sea (catalogue)

2012
Shane Campbell Gallery, Chicago (with Brendan Fowler)
“Stills & Trailers”, Galerie Buchholz, Cologne
“Work & Leisure”, Manchester Art Gallery, Manchester

2011
“See, We Assemble”, Serpentine Gallery, London (catalogue)

2010
“Concrete Vache”, Cabinet Gallery, London
“The Life and Times of Milton Keynes Gallery”, Milton Keynes Gallery (co-curator with Martin McGeown)

2009
“And possibly but not certainly Mark Leckey and Frances Stark”, Galerie Daniel Buchholz, Berlin

2008
“Resident”, Kölnischer Kunstverein, Cologne
“Drunken Bakers”, Mehringdamm 72, Berlin

2007
“Industrial Light & Magic”, Le Consortium, Dijon
“Dead or Alive”, Galerie Daniel Buchholz, Cologne

2006
“Drunken Bakers”, Gavin Brown’s enterprise at Passerby, New York / Gavin Brown’s enterprise, New York / Museum Het Domein, Sittard

2005
“Gorgeousness & Gorgeosity”, Portikus, Frankfurt am Main
“Drunken Bakers”, Cabinet Gallery, London

2004
“Septic Tank”, Gavin Brown’s enterprise, New York
“Parade”, Cabinet Gallery, London
“Sound System”, Mercer Union, Toronto

2003
Migros Museum für Gegenwartskunst, Zurich (catalogue)
“Dubplate”, Locust Project Room, curated by Gean Moreno, Miami

2002
“Sound System”, Gavin Brown’s enterprise, New York
“Fiorucci Made Me Hardcore”, Project Room, Santa Monica Museum of Art, Santa Monica

2000
“London, My Part in its Downfall”, Galerie Daniel Buchholz, Cologne
“Fiorucci Made Me Hardcore”, Gavin Brown’s enterprise, New York

1994
“The Model”, San Francisco Art Fair, San Francisco

Group Exhibitions

2020
“Black Album / White Cube”, Kunsthal Rotterdam, Rotterdam
“Dark Water 3”, Matt’s Gallery, London

2019
“The Body Electric”, Yerba Buena Center for the Arts, San Francisco
“Family Ties. The Schröder Donation”, Museum Ludwig, Cologne (catalogue)
“Hyper! A Journey into Art and Music”, Deichtorhallen, Hamburg (catalogue)
“Night Fever. Designing Club Culture 1960 – today”, Centro per l’Arte Contemporanea Luigi Pecci, Prato
“Bethlehem Hospital”, Gavin Brown’s enterprise, New York
“Good Night”, Storage by Hyundai Card, Seoul
“Just what is it that makes today so different, so appealing?”, Gavin Brown’s enterprise at Galerie Patrick Seguin, Paris
“New Order: Art and Technology in the Twenty-First Century”, Museum of Modern Art, New York
“The Hidden Pulse”, Sydney Opera House, Sydney
“Think about all the James Deans and what it means”, Super Dakota, Brussels

2018
“General Rehearsal: A Show in Three Acts from the Collections of V-A-C, MMOMA and Kadist”, Moscow Museum of Modern Art / V-A-C Foundation, Moscow
“Art & Entertainment”, Modern and Contemporary Art Museum, Geneve
“Art in the Age of the Internet, 1989 to Today”, Institute of Contemporary Art, Boston
“Glasgow International Festival”, Glasgow
“Au Diapason du Monde”, Fondation Louis Vuitton, Paris
“A World Without Us”, Impakt, Utrecht
“Again and Again”, Haus der Kunst, Munich
“Ekstase”, Kunstmuseum Stuttgart, Stuttgart
“EuroVisions, Contemporary Art from the Goldberg Collection”, Canberra Museum and Gallery, Canberra
“Jahresgaben 2018, Bonner Kunstverein”, Bonn
“L”, Frac, Château Rentilly, Bussy-Saint-Georges
“Stories of Almost Everyone”, Hammer Museum, Los Angeles

2017
“10 Years Julia Stoschek Collection – Generation Loss”, Julia Stoschek Collection, Düsseldorf
“The Policeman’s Beard is Half Constructed: Kunst im Zeitalter Künstlicher Intelligenz”, Bonner Kunstverein, Bonn
“North: Fashioning Identity”, Somerset House, London
“Again and Again – Sammlung Goetz at Haus der Kunst”, Haus der Kunst, Munich
Galerie Buchholz, Berlin
“Art at the Heart of Bluecoat (Anniversary Show)”, Bluecoat, Liverpool
“Keep Control”, Galerie Jo van de Loo, Munich
“Public View”, Bluecoat Gallery, Liverpool
“Recent Acquisitions, Recent Developments”, Si Shang Art Museum, Beijing
“The World Without Us: Narratives on the age of non-human actors”, Aksioma Project Space, Ljubljana, Slovenia / Galeriji Vžigalica, Ljubljana, Slovenia
“Andy Holden: World as a Cartoon”, Tate Britain, London
“This Light”, Künstlerhaus Stuttgart, Stuttgart
“Exhibition as Image: Art Through the Camera’s Eye”, curated by Eric Bell and Saim Demircan, MINI / Goethe-Institut Curatorial Residencies, New York
“Transmediale 2017”, Transmediale, Berlin
“True Faith”, curated by Matthew Higgs and Jon Savage, Manchester International Festival, Manchester

2016
“The World Without Us”, Hartware MedienKunstVerein, Dortmund
“Model Universe”, Institute of Contemporary Arts, Boston
International Film Festival Rotterdam, Rotterdam
“Secret Surface”, KW Institute for Contemporary Art, Berlin
Sammlung Viehof, Deichtorhallen, Hamburg (catalogue)
Liverpool Biennial 2016, Liverpool
“ICH: Neue Formen des Selbstporträts”, Schirn Kunsthalle, Frankfurt am Main
“Convergence”, Stonescape, Calistoga
“The Promise of Total Automation”, Kunsthalle Wien, Vienna
“Life Itself”, Moderna Museet, Stockholm
“Images”, Fridericianum, Kassel / Borealis Film Festival, Bergen Kunsthall, Bergen
“A Song for Rio (Part 1)”, Fortes D’Aloia & Gabriel, Rio de Janeiro
“Concrete Islands”, Kayne Griffin Corcoran, Los Angeles
“The Artist’s Museum”, Institute of Contemporary Art Boston, Boston (catalogue)

2015
“Co-Workers”, Musée d’Art Moderne de la Ville de Paris, Paris
“Technologism”, Monash University Museum of Art, Caulfield
“Modest Muses”, The Tatra Museum, Gallery of 20th Century Art at Villa Oksza, Zakopane
“Transmission: Legacies of the Television Age”, National Gallery of Victoria, Melbourne
“Cutting Shapes”, Site Gallery, Sheffield
“Move On…! 100 Years Of Animation Art”, Kunsthal KAdE, Amersfoort
“Psychopomp”, Todd Madigan Art Gallery, California State University, Bakersfield
“Storylines: Contemporary Art at the Guggenheim”, Solomon R. Guggenheim Museum, New York
“Zabludowicz Collection: 20 Years”, Zabludowicz Collection London, London (catalogue)

2014
“The Husk”, Untitled, New York
“Impakt 2014 Festival: Soft Machines”, Utrecht
“Kerstin Brätsch, Mark Handforth, Mark Leckey”, Gavin Brown’s enterprise, New York.
“Return Journey”, Mostyn Gallery, Wales
“Science Fiction: New Death”, Fact, Liverpool
“A Sense of Things”, Zabludowicz Collection London, London
“Booster, Kunst Sound Maschine”, Marta Herford, Herford (catalogue)
“Puddle, Pothole, Portal”, Sculpture Center, New York
“Traucum”, Centre des Archives Historiques de la Nièvre, Nevers

2013
“A Journey Through London Subculture: 1980s to Now”, Institute of Contemporary Arts, London
“The Fourth Plinth Commission Shortlists”, The Crypt, London
“Exuberant Politics”, University of Iowa Museum of Art, Iowa City
“2013 Carnegie International”, Carnegie Museum of Art, Pittsburgh (catalogue)
“Image Employment”, curated by Aily Nash and Andrew Norman Wilson, MoMA PS1, New York
“Il Palazzo Enciclopedico/The Encyclopedic Palace”, curated by Massimiliano Gioni, 55th Venice Biennale, Venice (catalogue)
“The Cat Show”, curated by Rhonda Lieberman, White Columns, New York
“Kaboom! Comic in der Kunst”, Weserburg Museum für Moderne Kunst, Bremen (catalogue)
“The Objects”, Glasgow Sculpture Studios, Glasgow
“Analogital”, Utah Museum of Contemporary Art, Salt Lake City
“Assembly: A Survey of Recent Artists’ Film and Video in Britain 2008-2013”, Tate Britain, London
“Der Schein: Glanz, Glamour, Illusion”, Kestnergesellschaft, Hannover (catalogue)
“Ensemble”, Backlit Gallery, Nottingham
“Mark Leckey and Jean-Luc Godard: Formations of the Body”, KW Institute for Contemporary Art, Berlin
“This is Not a Love Song”, La Virreina, Centre de la Image, Barcelona

2012
“Ghosts in the Machine”, New Museum, New York (catalogue)
“The Imaginary Museum”, Kunstverein München, Munich
Julia Stoschek Collection im Gewölbe, Cologne
“White Oxford Cotton”, Cabinet Gallery, London
“Remote Control”, Institute of Contemporary Arts, London
“Wunder”, Kunsthalle Krems, Krems
“Collection on Display: Phyllida Barlow, Jimmie Durham, Daniel Knorr, Mark Leckey”, Migros Museum für Gegenwartskunst, Zurich
“Commercial Psycho”, Andrew Kreps Gallery, New York
“Effigy”, Ritter/Zamet, London
“Les Derives De L’imaginaire”, Palais de Tokyo, Paris
“Megacool 4.0 – Jugend und Kunst”, Künstlerhaus Wien, Vienna
“Motion”, Seventeen Gallery, London
“The Best Exhibitions That Never Took Place”. Wroclaw Contemporary Museum, Wroclaw

2011
“Quodlibet III – Alphabets and Instruments”, Galerie Buchholz, Berlin
“Push and Pull”, The Tate Modern, London
“Seventh Dream of Teenage Heaven”, curated by James Voorhies, Bureau For Open Culture, Columbus
“Still Life”, curated by Polly Staple, Lismore Castle Arts, Waterford (catalogue)
“Exposition D’Ouverture”, Le Consortium, Dijon
“Wunder – Kunst, Wissenschaft und Religion. Vom 4. Jahrhundert bis zur Gegenwart”, Deichtorhallen Hamburg, Hamburg (catalogue)
“Chairs”, Galerie Giti Nourbakhsch, Berlin
“Nothing in the World But Youth”, Turner Contemporary, Margate
“Probable, Préférable, Plausible, Possible”, Galerie Dohyang Lee, Paris
“Savage Messiah”, Rob Tufnell London, London
“The Geneva Window”, The Lab, Dublin
“Why I Never Became a Dancer”, Sammlung Goetz im Haus der Kunst, Munich (catalogue)

2010
“Intensif – Station”, K21, Düsseldorf
“10,000 Lives: The Eighth Gwangju Biennale”, Gwangju
“Bilder in Bewegung”, Museum Ludwig, Cologne (catalogue)
“Act IX, Let us compare Mythologies”, Witte de With, Rotterdam
“Márgenes de Silencio/Margins of Silence”, Centro de Artes Visuales Helga de Alvear, Cáceres
“Was tun? Was geschieht? Zeitgenössische Kunst aus der Sammlung Rheingold”, Schloss Dyck, Jüchen (catalogue)
“Men With Balls: The Art of the 2010 World Cup”, Apexart, New York
“The Drawing Room”, Annet Gelink Gallery, Amsterdam / Sámi Dáiddafestivála -dp Sami Art Festival, Trøndelag Centre for Contemporary Art, Trondheim
“Prospective XXIe Siecle”, FRAC, Paris
“Who Wants to Act Now, or Even See Acting”, Depo, Istanbul
“Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen”, Bundeskunsthalle, Bonn
“Party!”, The New Art Gallery Walsall, Walsall
“Spatial City: An Architecture of Idealism”, Museum of Contemporary Art Detroit, Detroit / Institute of Visual Arts, Milwaukee
“Públicos y Contrapúblicos”, Centro Andaluz de Arte Contemporáneo, Sevilla
“The Life and Times of Milton Keynes Gallery”, Milton Keynes Gallery, Milton Keynes

2009
“Beg Borrow and Steal”, Rubell Family Collection, Miami
“Playing Homage”, Vancouver Contemporary Art Gallery, Vancouver
“120 Day Part I – Interior View Twilight”, Apalazzogallery, Brescia
“And Possibly But Not Certainly Mark Leckey And Frances Stark”, Galerie Daniel Buchholz, Berlin
“No Comedy – No Tragedy – No Encore – Applause”, Light Industry, New York
“Quodlibet II”, Galerie Daniel Buchholz, Cologne

2008
“Turner Prize 2008”, Tate Britain, London
“Tarantula“, Fondazione Nicola Trussardi, Milano
“Hey Hey Glossolalia”, curated by Mark Beasley, Creative Time, New York
“Egypted”, Kunsthalle Exnergasse, Vienna
“Dispersion”, Institute of Contemporary Arts, London (catalogue)
“The Hamsterwheel”, Malmö Konsthall, Malmö
“Heavy Metal. Die unerklärliche Leichtigkeit eines Materials”, Kunsthalle zu Kiel, Kiel (catalogue)
“Julia Stoschek Collection: Destroy, she said”, PinchukArtCentre, Kiev
“La Vidéo, un Art, une Histoire 1965-2007”, Musée Fabre, Montpellier
“Rock My Religion 1”, Domus Artium 2002, Salamanca
“Sympathy for the Devil: Art and Rock and Roll Since 1967”, Musée d’art contemporain de Montréal, Montreal

2007
“Imagination Becomes Reality. An Exhibition on the Expanded Concept of Painting. Works from the Goetz Collection. Conclusion”, Zentrum für Kunst und Medientechnologie, Karlsruhe (catalogue)
“Sympathy for the Devil”, Museum of Contemporary Art, Chicago
“Sound of Music”, Broelmuseum, Kortrijk / Centre for Contemporary Culture, Maastricht
“Pale Carnage”, Arnolfini, Bristol (catalogue)
“Overtake, The Reinterpretation of Modern Art”, Lewis Glucksman Gallery, Cork
“Collection – Part 1”, Migros Museum für Gegenwartskunst, Zurich
“Hamsterwheel”, Arts Santa Mònica, Barcelona
“Number One: Destroy, she said”, Julia Stoschek Collection, Düsseldorf (catalogue)
“Strange Events Permit Themselves the Luxury of Occurring”, Camden Arts Centre, London

2006
“Pigment – Piano – Marble”, Maipú 327, Buenos Aires
“Strange I’ve Seen That Face Before”, Museum Abteiberg, Mönchengladbach (catalogue)
“Defamation of Character”, PS1 Contemporary Art Center, New York
“Music is a Better Noise”, PS1 Contemporary Art Center, New York
Galerie Daniel Buchholz, Köln at Metro Pictures, Metro Pictures, New York
“Filmen Opera Video #1”, curated by Gigiotto del Vecchio, Castel Sant’Elmo, Neapel
Tate Triennial of Contemporary British Art 2003, Tate Britain, London
“Music for People”, Dundee Contemporary Arts, Dundee
“British Art Show 6”, Arnolfini, Bristol
“Centre Pompidou Video Art: 1965-2005”, Museum of Contemporary Art Australia, Sydney
“Video: An Art, A History 1965-2005”, Miami Art Central, Miami

2005
“Tiempos de Vídeo 1965-2005 – Colección Nouveaux Médias del Centre Pompidou”, CaixaForum Barcelona, Barcelona
Istanbul Biennial 2005, Istanbul
“British Art Show 6”, Baltic, Gateshead
“Emblematic Display”, Institute of Contemporary Arts London, London
“Le Voyage Intérieur, Paris-London”, Espace Fondation, Paris
“Miradas y Conceptos en la Colección Helga de Alvear”, Galeria Helga de Alvear, Madrid / Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz
“Normalization”, Platform Garanti Contemporary Art Center, Istanbul
“Pass the Time of Day”, Castlefield Gallery, Manchester / Collective, Edinburgh / Angel Row Gallery, Nottingham
“Realit;-)t – 30 Videoarbeiten aus der Sammlung Goetz in München”, Vögele Kulturzentrum, Pfäffikon
“Scenes De Vie”, Centre Culturel Suisse, Paris

2004
“Batchelors Soup”, curated by Mark Leckey, 7 Windmill Street, London
“The Future Has a Silver Lining. Genealogies of Glamour”, Migros Museum für Gegenwartskunst, Zurich (catalogue)
“Teil 1 Müllberg”, Galerie Daniel Buchholz, Cologne
“Manifesta 5, European Biennial of Contemporary Art”, San Sebastian
“Britannia Works”, Ileana Tounta Contemporary Art Centre, Athens
“.ipeg – bild.ton.maschine”, Künstlerhaus Bethanien, Berlin (catalogue)
“Werke aus der Sammlung Boros”, Zentrum für Kunst und Medientechnologie, Karlsruhe (catalogue)
“Faces in the Crowd: Picturing modern life from Manet to today”, Castello di Rivoli, Torino / Whitechapel Art Gallery, London (catalogue)
“Electric Earth – Videos y Cine Británico”, Museo de Arte Contemporáneo, Universidad de Chile, Santiago
“Pass The Time of Day”, Gasworks, London
“Per Amore”, Galleria Civica d’arte contemporanea Montevergini, Siracusa

2003
“Fast Forward. Media Art/Sammlung Goetz”, Zentrum für Kunst und Medientechnologie, Karlsruhe (catalogue)
“Sample Culture Now”, Tate Modern, London
“Soundsystems”, Salzburger Kunstverein, Salzburg
“Electric Earth”, The State Russian Museum, Marble Palace, St. Petersburg (catalogue)
“Londonatella”, Galerie Daniel Buchholz, Cologne
“Legende”, Filmhaus Kino, Cologne / Kino Arsenal, Berlin
“Il Quarto Sesso”, Stazione Leopolda, Florence
“Mixtape”, curated by Matthew Higgs, Wattis Institute for Contemporary Art, San Francisco
“The Fourth Sex: Adolescenct Extremes”, curated by Francesco Bonami, Fondazione Pitti Discovery, Florence (catalogue)
“20th Anniversary – Welcome Home”, Gavin Brown’s enterprise, New York
“Inaugural Exhibition”, Gavin Brown’s enterprise, New York
“The Haunted Swing”, Collective, Edinburgh

2002
“Video Works”, De Appel, Amsterdam
“Electric Dreams”, curated by Catherine Woods, Barbican Centre, London
“Slater Bradley, Mark Leckey, John Williams”, Low Gallery, Los Angeles
“Remix: Contemporary Art and Pop”, Tate Liverpool, Liverpool (catalogue)
“Supersonic & Alien”, Galleria S.A.L.E.S., Rome
“Three Videos”, Low Gallery, Los Angeles
“Shoot the Singer: Music on Video”, curated by Benett Simpson, Institute of Contemporary Art, Philadelphia

2001
“The Visitors”, Théatres du Fantastique, Printemps du Septembre, Toulouse (catalogue)
“Andy Warhol & Sound & Vision”, curated by Matthew Higgs, Institute of Contemporary Arts, London
“Brown”, curated by Gary Webb, The Approach, London
“Century City”, Tate Modern, London
“Sound and Vision”, curated by Matthew Higgs, Institute of Contemporary Arts, London
“London Orphan Asylum”, curated by Gilda Williams, Australian Centre for Contemporary Art, Melbourne

2000
“Protest and Survive”, curated by Matthew Higgs and Paul Noble, Whitechapel Art Gallery, London
“London Orphan Asylum”, curated by Gilda Williams, Openspace, Milan
“Discovery”, Pitti Imagine, Florence (with Phillipe Parenno and Pierre Huyghe)

1999
“Village Disco”, Cabinet Gallery, London
“Crash”, Institute of Contemporary Arts, London
“The Casuals”, Open City, New York (catalogue)

1996
Gavin Brown’s enterprise, New York

1994
Gavin Brown’s enterprise, New York

1990
“New Contemporaries”, Institute of Contemporary Arts, London

Performances

2018
“BMW Tate Live Exhibition Sylvia Palacios Whiteman + Mark Leckey”, Tate, London
“London Contemporary Music Festival”, LCMF, London

2014
“Hecker Leckey Sound Voice Chimera”, as part of: “Harmonic Series”, Purcell Room, Southbank Center, London (in collaboration with Florian Hecker)

2012
“BigBoxIndustrialAction”, as part of: Work & Leisure, Manchester Art Gallery, Manchester
“BigBoxNaturalAction, as part of: “BigBoxGreenScreenRefrigeratorAction”, The Walter Phillips Gallery at The Banff Centre, Banff
“BigBoxStatueAction”, as part of: “Imagine the Imaginary”, Palais de Tokyo, Paris

2011
“BigBoxStatueAction”, as part of: “See, We Assemble”, Serpentine Gallery, London
“Bruderkrieg Soundsystem”, Institute of Contemporary Arts, London
“Frances Stark – Put a Song in Your Thing, feat. Skerrit Bwoy and Mark Leckey”, as part of: “Performa 11”, The Abrons Arts Center at Henry Street Settlement, New York
“GreenScreenRefrigeratorAction”, as part of: “See, We Assemble”, Serpentine Gallery, London
“Hecker Leckey Sound Voice Chimera”, as part of: “Push and Pull: A Two-Day Performance Event at Tate Modern”, Tate Modern, London (in collaboration with Florian Hecker)

2010
“Cinema-in-the-Round”, as part of: “Act IX, Let Us Compare Mythologies”, Witte de With, Rotterdam
“GreenScreenRefrigeratorAction”, as part of: “GreenScreenRefrigeratorAction”, Gavin Brown’s enterprise, New York

2009
“In the Long Tail”, Castello di Rivoli, Turin
“In the Long Tail”, Institute of Contemporary Arts, London
“In the Long Tail”, Kunstmuseum Basel, Basel
“In the Long Tail”, The Abrons Arts Center at Henry Street Settlement, presented by the Museum of Modern Art New York, New York

2008
“Cinema-in-the-Round”, curated by Mark Beasley, presented by Creative Time, as part of: “Hey Hey Glossolalia. Exhibiting the Voice”, The Solomon R. Guggenheim Museum, New York
“The Long Tail”, as part of: Resident, Kölnischer Kunstverein, Cologne

2007
“BigBoxStatueAction”, as part of: “Industrial Light and Magic”, Le Consortium, Dijon
“Cinema-In-The-Round”, as part of: “Kinomuseum, 53rd International Short Film Festival Oberhausen”, Oberhausen
“Cinema-In-The-Round”, Tate Modern, London
“Jack Too Jack”, as part of: “Pale Carnage”, Arnolfini, Bristol

2006
“Jack Too Jack”, as part of: “Time Lines”, Kunstverein für die Rheinlande und Westfalen,

2005
“Jack Too Jack”, as part of: “Gorgeousness & Gorgeosity”, Portikus im Leinwandhaus, Frankfurt
“Jack Too Jack”, as part of: “Jackin’ World”, Inverleith House, Edinburgh
“Jack Too Jack”, Rio Cinema, event courtesy of Cabinet Gallery London, London

2004
“Meeting at Conway Hall”, Conway Hall, London (in collaboration with Bonnie Chaplin)

2003
“BigBoxStatueAction”, Duveen Galleries, Tate Britain, London
“donAteller”, Nova Popularna Bar, Warsaw

2002
“donAteller”, Chausseestraße 37, Berlin
“donAteller”, The Russian Disco Pub, London
“donAteller”, The Garage, London (with Add N to (X))
“The Golden Voyage”, Passerby, New York, as part of: “Mark Leckey’s Sound System”, Gavin Brown’s enterprise, New York

2001
“donAteller” plus Salacious, Club 414, event courtesy Cabinet Gallery London, Brixton
“donAteller”, 13th Note Café, Glasgow
“donAteller”, Gavin Brown’s enterprise and Passerby, New York
“donAteller”, Studio 672, event courtesy of Galerie Daniel Buchholz Cologne, Cologne

Awards

2008
Turner Prize