Cameron Rowland

Biography

1988
Born in Philadelphia

Lives and works in New York

Education

2011
Wesleyan University, Middletown, BA Studio Art

Solo Exhibitions

2020
“3 & 4 Will. IV c. 73”, Institute of Contemporary Arts, London

2018
“D37”, Museum of Contemporary Art, Los Angeles

2017
“Birmingham”, Galerie Buchholz, Cologne
“Rue Ravenstein 32”, Établissement d’en face, Brussels

2016
“Indirect Benefit”, Kunsthalle Fribourg, Fribourg
“91020000”, Artists Space, New York

2014
“Bait, Inc”, Essex Street, New York

2013
“An Agreement”, Wilfred Yang, Los Angeles

2012
“Visibility and Aesthetic Control”, Appendix Space, Portland
“Those”, Wave Hill Sunroom Project Space, New York

Group Exhibitions

2020
“Untitled, 2020”, Pinault Collection, Punta Della Dogana, Venice
“Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents”, List Visual Arts Center, Massachusetts Institute of Technology, Boston

2019
“Circular Flow. On the Economy of Inequality”, Kunstmuseum Basel, Basel
“The Warmth of Other Suns: Stories of Global Displacement”, The Phillips Collection, Washington DC
“Exodus”, Bortolami Artist/City, Watergate Office Building, Washington, D.C.
“You: Works from the Lafayette Anticipations Collection”, Musée d’Art Moderne de la Ville de Paris, Paris
“Museum”, Museum für Moderne Kunst, Frankfurt am Main
“Colored People Time”, Institute of Contemporary Arts, Philadelphia
“God Made My Face: A Collective Portrait of James Baldwin”, David Zwirner, New York

2018
“Picture Industry: A Provisional History of The Technical Image, 1844-2018”, Luma Foundation, Arles
“Aos nossos pais” (“To Our Parents”), 33rd Bienal de São Paulo, São Paulo
“Contractual Statements We Live By”, Kunsthalle Bern, Bern
“Don Quixote”, Galerie Barbara Weiss, Berlin
“Optik Schröder II”, mumok, Vienna
“Histórias afro-atlânticas”, Museu de Arte de São Paulo and Intituto Tomie Ohtake, São Paulo Collection Galleries, Harvard Art Museums, Cambridge, Massachusetts
“Post Institutional Stress Disorder”, Kunsthal Aarhus, Aarhus
“A Measure of Humanity”, Columbus Museum of Art, Ohio
“General Rehearsal. A Show in Three Acts from the Collections of V-A-C, MMOMA and Kadist”, Moscow Museum of Modern Art / V-A-C Foundation, Moscow
“Other Mechanisms”, Secession, Vienna

2017
“Louise Lawler: WHY PICTURES NOW”, The Museum of Modern Art, New York
Whitney Biennial, Whitney Museum of American Art, New York
“Unfinished Conversations: New Work from the Collection”, The Museum of Modern Art, New York
“Looking Back: The 11th White Columns Annual”, White Columns, New York
“Schreibtischuhr”, Galerie Meyer Kainer, Vienna
“Etre moderne: Le MoMA à Paris”, Fondation Louis Vuitton, Paris
“A still life by Chardin”, organized by Maxwell Graham, Lisson Gallery, London
“Picture Industry”, Hessel Museum of Art, Annandale-on-Hudson, New York
“Mechanisms”, The Wattis Institute, San Francisco
“acordo de confiança”, Biblioteca Mário de Andrade, São Paulo
“Other Articulations of the Real”, CCS Bard Hessel Museum, Annandale-on-Hudson, New York
“our words return in patterns (part 1)”, galeriepcp, Paris

2016
“Interiors”, Front Desk Apparatus, New York
“Adrift on Plastic Island”, Galerie Bernhard, Zurich
“Le Grand Balcon”, La Biennale de Montréal, Montreal
“Development: Okayama Art Summit 2016”, Tenjinyama Cultural Plaza, Okayama
“When Did Intimacy Begin Width”, curated by Torey Thornton, Jeffery Stark, New York
“Takashi Murakami’s Superflat Collection – From Shōhaku and Rosanjin to Anselm Kiefer”, Yokohama Art Museum, Yokohama

2015
“A Constellation”, The Studio Museum in Harlem, New York
“Infamous Lives”, Oracle, Berlin
“Greater New York”, MoMA PS1, Long Island City
The Wattis Institute, San Francisco
“Raymond Roussel”, Galerie Buchholz, New York
“The Chicken and The Egg and The Chicken”, Rodeo, London
“The Fall”, Rodeo, Istanbul
“Slip of the Tongue”, curated by Danh Vo and Caroline Bourgeois, Punta della Dogana, Venice
“International Currency”, Lodos, Mexico City
“Overtime: The Art of Work”, curated by Cathleen Chaffee, Albright-Knox Art Gallery, Buffalo
“Essex Street @ Essex Street”, Essex Street, New York
“Aggro-Culture”, Holiday Cafe, New York

2014
“The Contract”, Essex Street, New York
“Theater Objects: A Stage for Architecture and Art”, LUMA Foundation, Zurich
“U:L:O”, Interstate, New York
“The Husk”, Untitled, New York
“Samsonite”, SWG3, Glasgow

2013
“Conspicuous Unusable”, Miguel Abreu, New York
“Collecting Matters”, Galerie der HFBK, Hamburg
“Turnkey of Forever After”, Bed-Stuy Love Affair, New York

2012
“Concerns and Returns”, Weingrull, Karlsruhe

2011
“Both Together”, with John Beeson, deuxpiece, Basel

Awards

2019
MacArthur Fellowship, John D. and Catherine T. MacArthur Foundation
Nomura Emerging Artist Award