Cameron Rowland


Born in Philadelphia

Lives and works in New York


Wesleyan University, Middletown, BA Studio Art

Solo Exhibitions

“Deputies”, Essex Street, New York

“3 & 4 Will. IV c. 73”, Institute of Contemporary Arts, London

“D37”, Museum of Contemporary Art, Los Angeles

“Birmingham”, Galerie Buchholz, Cologne
“Rue Ravenstein 32”, Établissement d’en face, Brussels

“Indirect Benefit”, Kunsthalle Fribourg, Fribourg
“91020000”, Artists Space, New York

“Bait, Inc”, Essex Street, New York

“An Agreement”, Wilfred Yang, Los Angeles

“Visibility and Aesthetic Control”, Appendix Space, Portland
“Those”, Wave Hill Sunroom Project Space, New York

Group Exhibitions

“Post-Capital”, MUDAM, Luxembourg
“INFORMATION (Today)”, Kunsthalle Basel, Basel
“Grief and Grievances: Art and Mourning in America”, New Museum, New York
“Lost in America”, Museum im Bellpark, Kriens, Switzerland

Louise Lawler, R.H. Quaytman, Cameron Rowland, Galerie Buchholz, Cologne
“Lost in America”, n.b.k., Berlin
“Sammlung”, Tower MMK, Frankfurt am Main
“Two Years’ Vacation”, Frac Lorraine, Metz
Manifesta 13 Marseille, Musée Grobet-Labadié and various locations, Marseille
“Untitled, 2020”, Pinault Collection, Punta Della Dogana, Venice
“Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents”, List Visual Arts Center, Massachusetts Institute of Technology, Boston

“Circular Flow. On the Economy of Inequality”, Kunstmuseum Basel, Basel
“The Warmth of Other Suns: Stories of Global Displacement”, Phillips Collection, Washington DC
“Exodus”, Bortolami Artist/City, Watergate Office Building, Washington, D.C.
“You: Works from the Lafayette Anticipations Collection”, Musée d’Art Moderne de la Ville de Paris, Paris
“Museum”, Museum für Moderne Kunst, Frankfurt am Main
“Colored People Time”, Institute of Contemporary Arts, Philadelphia
“God Made My Face: A Collective Portrait of James Baldwin”, David Zwirner, New York

“Picture Industry: A Provisional History of The Technical Image, 1844-2018”, Luma Foundation, Arles
“Aos nossos pais” (“To Our Parents”), 33rd Bienal de São Paulo, São Paulo
“Contractual Statements We Live By”, Kunsthalle Bern, Bern
“Don Quixote”, Galerie Barbara Weiss, Berlin
“Optik Schröder II”, mumok, Vienna
“Histórias afro-atlânticas”, Museu de Arte de São Paulo and Instituto Tomie Ohtake, São Paulo Collection Galleries, Harvard Art Museums, Cambridge, Massachusetts
“Post Institutional Stress Disorder”, Kunsthal Aarhus, Aarhus
“A Measure of Humanity”, Columbus Museum of Art, Ohio
“Other Mechanisms”, Secession, Vienna

“Louise Lawler: WHY PICTURES NOW”, The Museum of Modern Art, New York
Whitney Biennial, Whitney Museum of American Art, New York
“Unfinished Conversations: New Work from the Collection”, The Museum of Modern Art, New York
“Looking Back: The 11th White Columns Annual”, White Columns, New York
“Schreibtischuhr”, Galerie Meyer Kainer, Vienna
“Etre moderne: Le MoMA à Paris”, Fondation Louis Vuitton, Paris
“A still life by Chardin”, organized by Maxwell Graham, Lisson Gallery, London
“Picture Industry”, Hessel Museum of Art, Annandale-on-Hudson, New York
“Mechanisms”, The Wattis Institute, San Francisco
“acordo de confiança”, Biblioteca Mário de Andrade, São Paulo
“Other Articulations of the Real”, CCS Bard Hessel Museum, Annandale-on-Hudson, New York
“our words return in patterns (part 1)”, galeriepcp, Paris

“Interiors”, Front Desk Apparatus, New York
“Adrift on Plastic Island”, Galerie Bernhard, Zurich
“Le Grand Balcon”, La Biennale de Montréal, Montreal
“Development: Okayama Art Summit 2016”, Tenjinyama Cultural Plaza, Okayama
“When Did Intimacy Begin Width”, curated by Torey Thornton, Jeffery Stark, New York
“Takashi Murakami’s Superflat Collection – From Shōhaku and Rosanjin to Anselm Kiefer”, Yokohama Art Museum, Yokohama

“A Constellation”, The Studio Museum in Harlem, New York
“Infamous Lives”, Oracle, Berlin
“Greater New York”, MoMA PS1, Long Island City
The Wattis Institute, San Francisco
“Raymond Roussel”, Galerie Buchholz, New York
“The Chicken and The Egg and The Chicken”, Rodeo, London
“The Fall”, Rodeo, Istanbul
“Slip of the Tongue”, curated by Danh Vo and Caroline Bourgeois, Punta della Dogana, Venice
“International Currency”, Lodos, Mexico City
“Overtime: The Art of Work”, curated by Cathleen Chaffee, Albright-Knox Art Gallery, Buffalo
“Essex Street @ Essex Street”, Essex Street, New York
“Aggro-Culture”, Holiday Cafe, New York

“The Contract”, Essex Street, New York
“Theater Objects: A Stage for Architecture and Art”, LUMA Foundation, Zurich
“U:L:O”, Interstate, New York
“The Husk”, Untitled, New York
“Samsonite”, SWG3, Glasgow

“Conspicuous Unusable”, Miguel Abreu, New York
“Collecting Matters”, Galerie der HFBK, Hamburg
“Turnkey of Forever After”, Bed-Stuy Love Affair, New York

“Concerns and Returns”, Weingrull, Karlsruhe

“Both Together”, with John Beeson, deuxpiece, Basel


MacArthur Fellowship, John D. and Catherine T. MacArthur Foundation
Nomura Emerging Artist Award