Daniel Buchholz & Christopher Müller
Neven-DuMont-Str. 1750667 Köln
Tel +49(0)221 257 49 46Fax +49(0)221 25 33 51


Tue-Fr 11-18Sa 11-16

Fasanenstraße 3010719 Berlin
Tel +49(0)30 88 62 40 56Fax +49(0)30 88 62 40 57


Tue-Sa 11-18

17 East 82nd Street
New York, NY 10028
Tel +1 (212) 328 7885
Fax +1 (212) 328 7886


Tue-Sa 10-6

Cameron Rowland



Born in Philadelphia


Lives and works in New York




Wesleyan University, Middletown, BA Studio Art


Solo Exhibitions



Dia Art Foundation, Beacon, New York (upcoming)



“Depreciation“, Restrictive covenant, 1 acre on Edisto Island, South Carolina, Dia Art Foundation

“Amt 45 i”, MMK Tower, Frankfurt am Main



“Source Materials”, Tiny Mutual Admiration Societies, University of Applied Arts Vienna, Vienna


“Deputies”, Essex Street, New York


“3 & 4 Will. IV c. 73”, Institute of Contemporary Arts, London


“D37”, Museum of Contemporary Art, Los Angeles


“Birmingham”, Galerie Buchholz, Cologne
“Rue Ravenstein 32”, Établissement d’en face, Brussels


“Indirect Benefit”, Kunsthalle Fribourg, Fribourg
“91020000”, Artists Space, New York


“Bait, Inc”, Essex Street, New York


“An Agreement”, Wilfred Yang, Los Angeles


“Visibility and Aesthetic Control”, Appendix Space, Portland
“Those”, Wave Hill Sunroom Project Space, New York


Group Exhibitions


“For What It’s Worth: Value Systems in Art Since 1960”, The Warehouse, Dallas
“Cameron Rowland, Tiffany Sia, Christopher Williams”, Maxwell Graham Gallery, New York
“Country SALTS: A private collection”, Country SALTS, Bennwil


“Afro-Atlantic Histories”, Dallas Museum of Art, Dallas (upcoming)
“On the Value of Time: New Presentation of the Collection of Contemporary Art”, Museum Ludwig, Cologne
“Inheritance”, Whitney Museum of American Art, New York



“Source Materials”, Tiny Mutual Admiration Societies, University of Applied Arts Vienna, Vienna

“No One is Bored”, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York

“The State I Am In”, Capitain Petzel, Berlin

“in/stasis”, Whitney Independent Study Program Exhibition, Artists Space, New York

“A Barganha”, coleção moraes-barbosa, Sao Paulo

“Monochrome Multitudes”, Smart Museum of Art, Chicago

“Post-Capital”, Kunsthal Charlottenborg, Copenhagen

“Living with Ghosts”, Pace Gallery, London

“Fire Figure Fantasy: Selections from ICA Miami’s Collection”, ICA Miami

“Afro-Atlantic Histories”, Los Angeles County Museum of Art, Los Angeles

“Afro-Atlantic Histories”, National Gallery of Art, Washington, D.C.

“Journeys Through the Tate Collection: The Port and Migration”, Tate Liverpool

“Working Thought”, Carnegie Museum of Art, Pittsburgh

“INFORMATION (Today)”, Astrup Fearnley Museet, Oslo

“Facility and Condition: Infrastructure as Form and Action”, Akademie der bildenden Künste, Vienna

“Site Visit”, Museum Brandhorst, Munich


“Post-Capital”, MUDAM, Luxembourg
“INFORMATION (Today)”, Kunsthalle Basel
“Grief and Grievances: Art and Mourning in America”, New Museum, New York
“Lost in America”, Museum im Bellpark, Kriens, Switzerland
“Afro-Atlantic Histories”, Museum of Fine Art, Houston


Louise Lawler, R.H. Quaytman, Cameron Rowland, Galerie Buchholz, Cologne
“Lost in America”, n.b.k., Berlin
“Sammlung”, Tower MMK, Frankfurt am Main
“Two Years’ Vacation”, Frac Lorraine, Metz
Manifesta 13 Marseille, Musée Grobet-Labadié and various locations, Marseille
“Untitled, 2020”, Pinault Collection, Punta Della Dogana, Venice
“Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents”, List Visual Arts Center, Massachusetts Institute of Technology, Boston


“Circular Flow. On the Economy of Inequality”, Kunstmuseum Basel, Basel
“The Warmth of Other Suns: Stories of Global Displacement”, Phillips Collection, Washington DC
“Exodus”, Bortolami Artist/City, Watergate Office Building, Washington, D.C.
“You: Works from the Lafayette Anticipations Collection”, Musée d’Art Moderne de la Ville de Paris, Paris
“Museum”, Museum für Moderne Kunst, Frankfurt am Main
“Colored People Time”, Institute of Contemporary Arts, Philadelphia
“God Made My Face: A Collective Portrait of James Baldwin”, David Zwirner, New York


“Picture Industry: A Provisional History of The Technical Image, 1844-2018”, Luma Foundation, Arles
“Aos nossos pais” (“To Our Parents”), 33rd Bienal de São Paulo, São Paulo
“Contractual Statements We Live By”, Kunsthalle Bern, Bern
“Don Quixote”, Galerie Barbara Weiss, Berlin
“Optik Schröder II”, mumok, Vienna
“Histórias afro-atlânticas”, Museu de Arte de São Paulo and Instituto Tomie Ohtake, São Paulo Collection Galleries, Harvard Art Museums, Cambridge, Massachusetts
“Post Institutional Stress Disorder”, Kunsthal Aarhus, Aarhus
“A Measure of Humanity”, Columbus Museum of Art, Ohio
“Other Mechanisms”, Secession, Vienna


“Louise Lawler: WHY PICTURES NOW”, The Museum of Modern Art, New York
Whitney Biennial, Whitney Museum of American Art, New York
“Unfinished Conversations: New Work from the Collection”, The Museum of Modern Art, New York
“Looking Back: The 11th White Columns Annual”, White Columns, New York
“Schreibtischuhr”, Galerie Meyer Kainer, Vienna
“Etre moderne: Le MoMA à Paris”, Fondation Louis Vuitton, Paris
“A still life by Chardin”, organized by Maxwell Graham, Lisson Gallery, London
“Picture Industry”, Hessel Museum of Art, Annandale-on-Hudson, New York
“Mechanisms”, The Wattis Institute, San Francisco
“acordo de confiança”, Biblioteca Mário de Andrade, São Paulo
“Other Articulations of the Real”, CCS Bard Hessel Museum, Annandale-on-Hudson, New York
“our words return in patterns (part 1)”, galeriepcp, Paris


“Interiors”, Front Desk Apparatus, New York
“Adrift on Plastic Island”, Galerie Bernhard, Zurich
“Le Grand Balcon”, La Biennale de Montréal, Montreal
“Development: Okayama Art Summit 2016”, Tenjinyama Cultural Plaza, Okayama
“When Did Intimacy Begin Width”, curated by Torey Thornton, Jeffery Stark, New York
“Takashi Murakami’s Superflat Collection - From Shōhaku and Rosanjin to Anselm Kiefer”, Yokohama Art Museum, Yokohama


“A Constellation”, The Studio Museum in Harlem, New York
“Infamous Lives”, Oracle, Berlin
“Greater New York”, MoMA PS1, Long Island City
The Wattis Institute, San Francisco
“Raymond Roussel”, Galerie Buchholz, New York
“The Chicken and The Egg and The Chicken”, Rodeo, London
“The Fall”, Rodeo, Istanbul
“Slip of the Tongue”, curated by Danh Vo and Caroline Bourgeois, Punta della Dogana, Venice
“International Currency”, Lodos, Mexico City
“Overtime: The Art of Work”, curated by Cathleen Chaffee, Albright-Knox Art Gallery, Buffalo
“Essex Street @ Essex Street”, Essex Street, New York
“Aggro-Culture”, Holiday Cafe, New York


“The Contract”, Essex Street, New York
“Theater Objects: A Stage for Architecture and Art”, LUMA Foundation, Zurich
“U:L:O”, Interstate, New York
“The Husk”, Untitled, New York
“Samsonite”, SWG3, Glasgow


“Conspicuous Unusable”, Miguel Abreu, New York
“Collecting Matters”, Galerie der HFBK, Hamburg
“Turnkey of Forever After”, Bed-Stuy Love Affair, New York


“Concerns and Returns”, Weingrull, Karlsruhe


“Both Together”, with John Beeson, deuxpiece, Basel




MacArthur Fellowship, John D. and Catherine T. MacArthur Foundation
Nomura Emerging Artist Award