Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 00
Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 01

Tomma Abts, Ginny Bishton, Whitney Claflin,
Carlfriedrich Claus, Ralston Crawford, Norman Lewis,
Agnes Martin, Mohammad Nasrallah, Daniela Ortiz,
Luis Inca Ramos, Kay Sage, Max Hooper Schneider,
Ben Shahn, Hedda Sterne, Gili Tal, Stewart Uoo,
Alice Valenti, Ulla Wiggen

Vista View
an exhibition curated by
Caleb Considine

31 January 2019 -
20 April 2019

opening reception on Wednesday,
30 January, 6-8 pm

Vista View

 

Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford,
Norman Lewis, Agnes Martin, Mohammad Nasrallah, Daniela Ortiz, Luis Inca Ramos,
Kay Sage, Max Hooper Schneider, Ben Shahn, Hedda Sterne, Gili Tal, Stewart Uoo,
Alice Valenti, Ulla Wiggen

 

an exhibition curated by Caleb Considine

 

31 January - 20 April 2019
Opening Wednesday, 30 January, 6-8 pm

 

The works in “Vista View” are grouped around landscape and its abstraction, or alternately abstractions oriented toward terrain and space (as opposed to gesture with its invocation of figure). This is a very broad theme, and the curatorial process (my first) was in large part aesthetic. At first I wasn’t sure what this might mean, but a friend recommended that we try reading Max Raphael, who had an idea of materialist aesthetics written in the 30’s which did appeal to me. For Raphael, a materialist aesthetics meant not just decoding the ideological myths to which art gives form as the imaginary shared material interest between the ruling class and everyone else; materiality was also just as important as literal art materials, a “means of representation” not necessarily alienated like the means of production and communication, but potentially disalienating by engaging the active viewer in infinite reconstruction. The work of art leads to the process of creation: this was his signature inversion. Sense perception in aesthetics was important to Raphael not as an isolated, medium-specific category like opticality, but the opposite, as part of bringing together many faculties, a voluntarism that he explains when writing about Cézanne’s Mont Saint-Victoire: “The artist’s will must intervene because there is an antinomy between the subject’s aspiration to exercise all his faculties and the world of things which had become fragmentary and specialized in Cézanne’s period - the antinomy between the mind that resists its historically determined self-alienation and a world of objects which has already become alienated.”(1) For Raphael, aesthetics spoke of our relationship to the material outside world by crystalizing its own intricate interior logic, not in a “private mythology” but rather “reality enhanced.”

 

This was interesting to me, and it could be applied in the way he meant it - as a predominantly formal theory - to some of the work in the show. The way he writes about solid shapes of color in tension creating a ‘fullness’ of space in Cézanne recalled for me Alice Valenti’s tree paintings, an atmosphere with depth but constructed from blocks of color that push back on one another in their own quasi-autonomous logic. There’s a byzantine complexity to the logic of Raphael’s aesthetic criteria, which may be part of why he’s so under-known today (despite pleas from John Tagg, John Berger, and Michèle Barrett, who wrote by far the best study on him in English); but it does make sense, and the kind of forceful hermeneutic he describes in detail made me think of Tomma Abts: “In the case of works that do achieve effective form, we are impelled to view them over and over, recreating them each time; the process may go on indefinitely.”(2) This is especially true of Abts, from whose work I learned to look at painting this way.

 

Of course Raphael’s unyielding Marxism didn’t do him any favors in his life, nor in the appraisal of his work since his suicide in penury in 1952. Carlfriedrich Clauss, also a lifelong Marxist, was nonetheless spurned by the GDR, and his work, too, has found little footing in the west. While aesthetically he diverges from Raphael’s scope, in system of belief they distinctly share a universalist humanist revolutionary outlook, whose pessimism of the intellect and optimism of the will leaned toward the later. Politically, Mohammad Nasrallah and Daniela Ortiz come up against real enemies in different ways, one imaginative, looking to the future, one directly confrontational. Ortiz’s “97 House Maids” casts the dehumanization of domestic labor back at the most cherished possession of the ruling class, its children, while the “1st of May Camp” broadcasts owners’ homes in the workers’ quarters as a public threat to this order of property.

 

From 1963 to 1969 Ulla Wiggen painted the interiority of machines. Small enough to become abstract and open outwards to an evocation of larger socio-technical organization, these circuit boards confuse our sense of scale. Made just prior to developments in nanotechnology and atomic science which shrank machine functions to a scale categorically inapprehensible to the human senses, the curious metaphysical dimension to Wiggen’s paintings comes from the feeling that you could touch these tiny machines and thereby experience their systematic largess. The paintings have genuine originality in this probing machinic interiority, a quality which Raphael did not think was a myth, and he sharply distinguished from the “petty bourgeois fiction” of artistic inspiration: “Originality of constitution is not the urge to be different from others, to produce something entirely new; it is (in the etymological sense) the grasping of the origin, the roots of both ourselves and things.”(3)

 

Caleb Considine

 

(1) Max Raphael, The Demands of Art, trans. Norbert Guterman (Princeton, NJ: Princeton University Press, 1968), p. 33.
(2) Ibid., p. 224.
(3) Ibid., p. 196.

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 02
Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 03
Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 04

Tomma Abts, Ginny Bishton, Whitney Claflin,
Carlfriedrich Claus, Ralston Crawford, Norman Lewis,
Agnes Martin, Mohammad Nasrallah, Daniela Ortiz,
Kay Sage, Max Hooper Schneider, Ben Shahn,
Hedda Sterne, Gili Tal, Stewart Uoo, Alice Valenti,
Ulla Wiggen

Vista View
an exhibition curated by
Caleb Considine
17 East 82nd Street, New York

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 05

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 06

Ralston Crawford

Untitled, 1950
oil on canvas
51 x 63.5 cm
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 07

Ralston Crawford

Untitled, 1950
oil on canvas
51 x 63.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 08

Daniela Ortiz

“1st of May Camp”, 2012
c-print
40.5 x 70 cm
&
“97 House Maids”, 2010
artist book
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 09

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 10

Hedda Sterne

Untitled, c. 1950
oil and spray enamel on canvas
106.5 x 86.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 11

Norman Lewis

Untitled, 1964
oil on paper
86.5 x 57 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 12

Carlfriedrich Claus

“Handreflexion”, 1974
lithography on tracing paper, doublesided
48.5 x 37 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 13

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 14

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 15

Agnes Martin

Untitled, 1963
ink on paper
20.5 x 19.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 16

Ben Shahn

“Public Sale”, 1956
ink on paper
25.5 x 30.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 17

Ben Shahn

“Bountiful Harvest”, 1944
tempera on board
96.5 x 71 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 18

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 19

Gili Tal

“The Spectacular Instant”, 2018
Lazertran and varnish on canvas
170 x 120 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 20

Gili Tal

“London Is Open”, 2018
Lazertran and varnish on canvas
170 x 120 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 21

Agnes Martin

Untitled, 1977
watercolor and graphite on paper
23 x 23 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 22

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 23

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 24

Kay Sage

“Third Paragraph”, 1953
oil on canvas
98.5 x 81 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 25

Stewart Uoo

“Vampire Transfusion (after Yoshiaki Kawajiri)”, 2019
sumi ink, watercolor on polypropylene paper
30.5 x 45.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 26

Stewart Uoo

“Runway to the Vampire Castle Spacecraft (after Yoshiaki Kawajiri)”, 2019
sumi ink, watercolor on polypropylene paper
23 x 30.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 27

Tomma Abts

“Ehme”, 2002
acrylic and oil on canvas
48 x 38 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 28

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 29

Alice Valenti

“Warm Night Trees #2”, 2018
oil on panel
25.5 x 20.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 30

Alice Valenti

“Warm Night Trees #1”, 2018
oil on panel
25.5 x 20.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 31

Alice Valenti

“Rock”, 2017
oil on panel
10 x 15 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 32

Alice Valenti

“Rocks on the Windowsill”, 2017
oil on panel
12.5 x 18 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 33

Carlfriedrich Claus

“Kombinat Nuklearblatt 4”, 1990
serigraph
image: 26 x 40.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 34

Carlfriedrich Claus

“Eulenspiegel-Reflex”, 1974
offset lithography on tracing paper
72 x 50.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 35

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 36

Ulla Wiggen

“Planet”, 1968
acrylic on wood panel
28 x 32 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 37

Ulla Wiggen

“Pulsgivare”, 1967
acrylic on wood panel
80 x 75 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 38

Ulla Wiggen

“Kanalväljare”, 1967
acrylic on wood panel
60 x 80 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 39

Ulla Wiggen

“Oändligt variabel”, 1968
acrylic on wood panel
53 x 60 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 40

Ulla Wiggen

“Förstärkare”, 1964
gouache on wood panel and gauze
35 x 25 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 41

Ulla Wiggen

“Motstånd”, 1967
acrylic on wood panel
70 x 70 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 42

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 43

Mohammad Nasrallah

Untitled, 2013
oil on paper
50 x 70 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 44

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 45

Luis Inca Ramos

“Mystery Tunnel”, 2015
acrylic and mixed media on canvas
61 x 76 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 46

Max Hooper Schneider

“Enchanter’s Station”, 2012
marker and ink on paper, acrylic, hardware
paper: 23 x 30.5 cm
acrylic: 28 x 35.5 x 2.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 47

Max Hooper Schneider

“Template Morphogenesis”, 2012
marker and ink on paper, acrylic, hardware
paper: 23 x 30.5 cm
acrylic: 28 x 35.5 x 2.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 48

Vista View
an exhibition curated by
Caleb Considine
installation view Galerie Buchholz, New York 2019

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 49

Ginny Bishton

“Meadow”, 2007
photo collage on paper
71 x 105.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 50

Whitney Claflin

“Sender”, 2019
oil on linen
35.5 x 41 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 51

Ginny Bishton

“Walking 12”, 2001
photo collage on paper
76 x 81.5 cm

Vista View an exhibition curated by Caleb Considine — Tomma Abts, Ginny Bishton, Whitney Claflin, Carlfriedrich Claus, Ralston Crawford, Norman Lewis, Agnes Martin, Mohammad... — Exhibitions — Galerie Buchholz — Image 52

Ulla Wiggen

“Magnetiskt Minne”, 1968
acrylic on wood panel
52 x 52 cm