Henrik Olesen

Biography

1967
Born in Esbjerg

Lives and works in Berlin

Education

1995-1997
Staatliche Hochschule für Bildende Künste, Städelschule, Frankfurt

1989-1996
The Royal Academy of Fine Arts, Copenhagen

1996
DAAD Scholarship, Städelschule, Frankfurt

Solo Exhibitions

2020
Galerie Buchholz, Cologne

2019
Museo Nacional Centro de Arte Reina Sofía, Madrid (catalogue)
Galerie Buchholz, New York

2018
“Hey Panopticon! Hey Asymmetry!”, Schinkel Pavillon, Berlin
“6 or 7 new works”, Chantal Crousel, Paris
Cabinet Gallery, London

2017
“The Walk”, CCA Wattis Institute for Contemporary Arts, San Francisco
“The Euphoria of Turin”, Galleria Franco Noero, Turin

2016
Galerie Buchholz, New York
Reena Spaulings, New York
“Conversation in a Yes/No Landscape”, Deborah Schamoni, Munich / Sismógrafo, Porto (with Gerry Bibby)
Cabinet Gallery, London

2014
“Companion Species”, Deborah Schamoni, Munich
“The Companion Species Manifesto”, dépendance, Brussels
“Abandon the Parents”, curated by Henrik Olesen, Daniel Buchholz and Christopher Muller, Statens Museum for Kunst, Copenhagen

2013
“Hysterical Men”, Galerie Buchholz, Berlin

2012
“Mr. Knife & Mrs. Fork”, Wolfgang Hahn Preis, Museum Ludwig, Cologne (catalogue)
“The Master Slave Dialectic”, Reena Spaulings, New York
Cabinet Gallery, London

2011
“Projects 94: Henrik Olesen”, The Museum of Modern Art, New York
“How Do I Make Myself a Body?”, Museum für Gegenwartskunst, Basel (catalogue)
“Master-Slave Dialectic”, Galerie Buchholz, Cologne (with Danh Vo)
Galleria Franco Noero, Turin

2010
“How Do I Make Myself a Body?”, Malmö Konsthall, Malmö (catalogue)
“Mr. Knife & Mrs. Fork”, Galerie Daniel Buchholz, Art Cologne, Cologne
dépendance, Brüssel (with Kirsten Pieroth)

2009
“Studio Voltaire Presents: Mr. Knife & Mrs. Fork”, Studio Voltaire, London

2008
“Some Faggy Gestures”, Galerie Daniel Buchholz, Berlin
“How do I make myself a body?”, Galerie Daniel Buchholz, Berlin
Pinakothek der Moderne, Munich (with Sergej Jensen)
Kunstverein München at Ludlow 38, New York
“Cildo Meireles, Henrik Olesen, Rémy Zaugg”, Helga Maria Klosterfelde Edition, Berlin

2007
Galerie Daniel Buchholz, Cologne
“Some Gay-Lesbian Artist and/or Artists relevant to Homo-Social Culture born between 1300-1870”, Migros Museum für Gegenwartskunst, Zurich (catalogue)
Portikus, Frankfurt am Main (with Judith Hopf) (catalogue)
Mehringdamm 72, Berlin

2006
“Anthologie de l’amour sublime”, Günther-Peil-Stipendiaten, Leopold Hoesch Museum, Düren
“Information is Content. Content is Fiction. Content is Messy”, Andersen, Copenhagen

2005
Galerie Daniel Buchholz, Cologne
“Le corps sous la peau est une usine surchauffée”, dépendance, Brussels
Cubitt Gallery and Studios, London (with Kirsten Pieroth)
“There are no rules in pointing”, Transmission Gallery, Glasgow (with Kate Davis)
“Abschied von den Eltern”, curated by Henrik Olesen, Daniel Buchholz and Christopher Müller, Galerie Daniel Buchholz, Art Cologne, Cologne

2004
Secession, Vienna (catalogue)

2003
“1935 1922”, Sprengel Museum, Hannover (catalogue)
“6 oder 7 neue Arbeiten”, Klosterfelde, Berlin
“Hosni Mubarak, Aaron Mc Kinney, Richmond, Belgrad”, Städtisches Museum Abteiberg, Mönchengladbach
“Handlungsräume”, Kunstverein Salzburg, Salzburg
“Utopia Station”, 50th Venice Biennial, Venice (with Kirsten Pieroth)

2002
“There are two temperatures: one outside, one inside”, Galleria Franco Noero, Turin (with Kirsten Pieroth)
“Sexuelle Zwischenstadien. Einführung in die Theorie der Homosexualität”, Galerie Daniel Buchholz, Cologne

2001
“Lack of Information”, Kunstverein Braunschweig, Braunschweig (catalogue)

2000
Anton Kern Gallery, New York (with Marcel Odenbach)
Klosterfelde, Berlin
Helga Maria Klosterfelde, Hamburg

1999
“Berlin, Berlin! “, Galleria Franco Noero, Turin
Otto, Copenhagen

1998
Klosterfelde, Berlin

1997
Galleri Campbells Occasionally, Copenhagen (with Sean Snyder)

1996
Meike Behm, Frankfurt am Main

1993
“Lageret”, Kunstforeningen Gl. Strand, Copenhagen
“Overgaden”, exhibition space of the Minestry of Culture, Copenhagen, Denmark
Esbjerg Kunstmuseum, Esbjerg

Group Exhibitions

2020
“Beings”, dépendance, Brussels

2019
“Curated by 2019. Florian Pumhösl”, Galerie Meyer Kainer, Vienna
“Maskulinitäten”, Bonner Kunstverein, Bonn / Kölnischer Kunstverein, Cologne / Kunstverein für die Rheinlande und Westfalen, Düsseldorf
“The Collection (1), Highlights for a Future”, S.M.A.K. Municipal Museum of Contemporary Art, Ghent
“Future Perfect”, Evliyagil Müze, Ankara
“Machine of Instant Utility”, Cabinet Gallery, London
“Stance & Fall – A Wavering World”, Marta Herford, Herford

2018
“Post Institutional Stress Disorder”, Kunsthal Aarhus, Aarhus
“Hölle”, Galerie Buchholz, New York
33rd Bienal de São Paulo, São Paulo (catalogue)
“Trust”, Les Brasseurs Art Contemporain, Liége
“Deutschland ist keine Insel”, Bundeskunsthalle, Bonn (catalogue)
“A Matter Of Printing (For Smc)”, Supportico Lopez, Berlin
“Future Perfect”, The Model, Sligo
“In the Reading Room of Hell”, A plus A, Venice
“Jahresgaben 2018”, Kölnischer Kunstverein, Cologne
“Optik Schröder II”, Mumok, Vienna
“Stories of Almost Everyone”, Hammer Museum, Los Angeles

2017
“Cosmic Communities: Coming Out Into Outer Space – Homofuturism, Applied Psychedelia & Magic Conncectivity”, Galerie Buchholz, New York
“The Trick Brain”, Aishti Foundation, Beirut (catalogue)
“Tierisch beste Freunde. Über Haustiere und ihre Menschen”, Deutsches Hygiene-Museum, Dresden
“A good Neighbor”, 15th Istanbul Biennale, Istanbul (catalogue)
“The Policeman’s Beard is Half Constructed: Kunst im Zeitalter Künstlicher Intelligenz”, Bonner Kunstverein, Bonn
“A Still life by Chardin”, Lisson Gallery, London
“Condo New York: Deborah Schamoni at Queer Thoughts”, Queer Thoughts, New York
“Jump into the Future – Art from the 90’s and 2000’s”, Stedelijk Museum, Amsterdam

2016
“Das Loch”, Künstlerhaus Bremen, Bremen
“Convergence”, Stonescape, Calistoga
“L’image volée”, Fondazione Prada, Milan (catalogue)
“…und eine Welt noch”, Kunsthaus Hamburg, Hamburg
“The Promise of Total Automation”, Kunsthalle Wien, Vienna (catalogue)
“Nervöse Systeme”, Haus der Kulturen der Welt, Berlin
“Accrochage”, Punta della Dogana, Francois Pinault Foundation, Venice (catalogue)
“Collection on Display: Momentary Monuments”, Migros Museum für Gegenwartskunst, Zurich
“Paris – Bruxelles”, Galerie Natalie Seroussi, Paris
“Opslag Nedslag – danske Kunstnerboger”, The Royal Library, Copenhagen
“30 Jahre Günther-Peill-Stiftung”, Leopold Hoesch Museum, Düren
“The Keeper”, New Museum, New York (catalogue)
“Natalie Seroussi at dépendance – Paris – Bruxelles”, dépendance, Brussels
32nd Bienal de São Paulo, São Paulo (catalogue)

2015
“Alfred Jarry Archipelago”, La Ferme Du Buisson, Noisiel
“Drawing. The Bottom Line”, Municipal Museum of Contemporary Art, Ghent (catalogue)
“What we call Love: From Surrealism to Now”, Irish Museum of Modern Art, Dublin
“Animal Photographers”, Acud Macht Neu, Berlin
“Formes Biographiques”, Carré d’Art, Musée d’art contemporain de Nimes, Nimes (catalogue)
“I. The Symptom of Art. II Schizoanalysis”, Cabinet Gallery, London
“Homosexualitäten”, Schwules Museum, Berlin (catalogue)
“Slip of the Tongue”, Punta della Dogana, Venice (catalogue)
“Travestie für Fortgeschrittene Teil 1”, Galerie für Zeitgenössische Kunst, Leipzig
“Travestie für Fortgeschrittene Teil 2”, Galerie für Zeitgenössische Kunst, Leipzig
“I hear your voice reflected in a glass and it sounds like it is inside of me”, Carlier Gebauer, Berlin
“Cannibalism? On Appropriation In Art”, Zacheta National Gallery of Art, Warsaw
“De Pictura – Volume III”, Metropolitan Art Society, Beirut
“Old News (Again)”, Cneai, Chatou
“Pierre Klossowski, Danny McDonald, Henrik Olesen and Dr. Scott Von”, Cabinet Gallery, London

2014
“Essential Loneliness”, Taylor Macklin, Zurich
“One Million Years – System and Symptom”, Kunstmuseum Basel – Gegenwart, Basel
Manifesta 10, St. Petersburg (catalogue)
“And Life Goes On…”, Between Bridges, Berlin
“No Such Thing As History”, Espace Louis Vuitton, Munich
“Playtime”, Städtische Galerie im Lenbachhaus, Munich
“Do Not Disturb. At the Invitation of Elmgreen & Dragset”, Gerhardsen Gerner, Oslo
“Abandon the Parents in X-Rummet, Statens Museum For Kunst, Copenhagen
“Conceptual and Applied III: Surfaces and Pattern”, Daimler Contemporary, Berlin
“dépendance at Carlos / Ishikawa – The Hawker”, Carlos / Ishikawa, London
“Future Perfect. Contemporary Art From Germany”, Centre for Contemporary Art Ujazdowski Castle, Warsaw
“Future Perfect”, Frankfurter Kunstverein, Frankfurt am Main
“I Multiplied Myself To Feel Myself”, Kunstraum Niederösterreich, Vienna
“Our Inner Nature”, Malmö Konstmuseum, Malmö / Marabouparken, Sundbyberg
“Skeptical Thoughts on Love”, Künstlerhaus Stuttgart, Stuttgart
“Vogelsbergeriana”, Stadtgalerie Schwaz, Schwaz
Taipei Biennial 2014 – The Great Acceleration, Taipei Fine Arts Museum, Taipei

2013
“and Materials and Money and Crisis”, Mumok, Vienna (catalogue)
“Obrazy a Predobrazy. Figures and Prefigurations”, City Gallery, Prague
“Formas biográficas – Construcción y mitología individual”, Museo Nacional Centro de Arte Reina Sofía, Madrid (catalogue)
“Futur Perfekt – Vollendete Zukunft”, Frankfurter Kunstverein, Frankfurt am Main
55. Biennale di Venezia, Venice (catalogue)
“A Space Called Public / Hoffentlich Öffentlich”, Elmgreen & Dragset, Munich
“Plaisance”, Midway Contemporary Art, Minneapolis
“Unrest of Form”, Secession, Vienna
“Kukuk”, Deborah Schamoni, Munich
“Copenhagen 93”, Galleri Nicolai Wallner, Copenhagen
“Counter-Production (Part 2)”, Index – The Swedish Contemporary Art Foundation, Stockholm
“Gerry Bibby”, Künstlerhaus Bethanien, Berlin
“I knOw yoU”, Irish Museum of Modern Art, Dublin
“In The Cut”, Australian Centre for Contemporary Art, Melbourne
“Looking Back / The 7th White Columns Annual – Selected by Richard Birkett”, White Columns, New York
“Martin Erik Andersen: Kingdom of dirt + Special Guest Stars”, Galleri Susanne Ottesen, Copenhagen
“Reading”, Leo Xu Projects, Shanghai
“Some Redemptions”, Soloway, New York
“The November Issue”, Mathew, Berlin

2012
“Ghosts in the Machine”, New Museum, New York (catalogue)
“Counter Production”, Generali Foundation, Vienna
“Etna Carrara”, Ludwig Forum Aachen, Aachen
“Im Raum des Betrachters. Skulptur der Gegenwart aus der Sammlung Moderne Kunst”, Pinakothek der Moderne, Munich (catalogue)
“The Happy Fainting of Painting”, Zwinger Galerie, Berlin
“Relocated”, Mehringdamm 72, Berlin
“knell dobre glass”, Galeria Quadrado Azul, Porto
“Never Odd Or Even”, Museum of Contemporary Art, Roskilde
“D’après Giorgio”, Fondazione Giorgio e Isa de Chirico, Rome
“Art or Life, Aesthetics and Biopolitics”, curated by Thomas Locher, Georg Kargl Fine Arts, Vienna
“Chains”, Freiraum in der Box, Berlin
“Collaborations & Interventions”, Nymphius Projekte Berlin, Berlin / CCA Andratx, Andratx
“Supplica Per Un’appendice”, Villa Romana, Florence
“You are right, it flows much better this way”, Galerie Andreas Huber, Vienna

2011
“Quodlibet III – Alphabets and Instruments”, Galerie Buchholz, Berlin
“AB3: Monodrome”, Athens Biennale 2011, Athens (catalogue)
“Henrik Olesen / Danh Vo”, Fondazione Morragreco, Naples
“Please go around the construction area by the lights and over the traffic island (and other stories)”, Kunstverein Schattendorf, Schattendorf
“Kalte Gesellschaft”, KW Institute for Contemporary Art, Berlin
“Elaine”, Museum für Gegenwartskunst, Basel
“Museum der Wünsche”, Museum Moderner Kunst Stiftung Ludwig, Vienna
“Lake of Fire”, Den Frie Centre of Contemporary Art, Copenhagen
“Master-Slave Dialectic”, Galerie Buchholz, Cologne
“Play Time – Œuvres de la collection Klosterfelde”, Lieu d’Art Contemporaine (L.A.C.), Sigean
“Private/Corporate VI”, Daimler Contemporary, Berlin
“The Phantasm”, Foxy Production, New York
12th Istanbul Biennale, Istanbul, Turkey

2010
“10,000 Lives”, 8th Gwangju Biennale, Gwangju
“Von realer Gegenwart. Marcel Broodthaers”, Kunstverein für die Rheinlande und Westfalen, Düsseldorf / Kunsthalle Düsseldorf, Düsseldorf (catalogue)
6th Berlin Biennale for Contemporary Art, Berlin
Galerie Daniel Buchholz, Cologne
“Modernologies – Contemporary Artists Researching Modernity and Modernism”, Museum of Modern Art in Warsaw, Warsaw
“Mr. Knife & Mrs. Fork”, Art Cologne, Cologne
“Real Preseces – Marcel Broodthaers today”, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

2009
“Wo ist der Wind, wenn er nicht weht?”, Kunstverein Hamburg, Hamburg
“Modernologies”, Museu d’Art Contemporani de Barcelona, Barcelona
“Moby Dick”, CCA Wattis Institute for Contemporary Arts, San Francisco
“Quodlibet II”, Galerie Daniel Buchholz, Cologne
“Scorpio’s Garden”, Temporäre Kunsthalle Berlin, Berlin
“Re-figurative Ordering”, DNJ Gallery, Los Angeles
“A trip down (false) memory lane”, The Lexington Club, San Francisco
“Everywhere”, Centro Galego de Arte Contemporanea, Santiago
“Silberkuppe in Kur”, Kunsthalle Baden-Baden, Baden-Baden
53rd Venice Biennale, Venice
“22 Major Works From the Malmö Art Collection”, Dunkers Kulturhus, Helsingborg
“Zeichen Setzen”, Bonner Kunstverein, Bonn
“En todas as partes. políticas da diversidade sexual na arte”, Centro Galego de Arte Contemporánea, Santiago de Compostela
“Exit-Ausstieg aus dem Bild”, ZKM, Museum für Neue Kunst, Karlsruhe
“LYST”, Overgaden – Institut for Samtidskunst, Copenhagen
“Selective Knowledge”, Institute of Contemporary Art and Thought, Athens

2008
“Home is the place you left”, Kunstmuseum Trondheim, Trondheim
“Reality Chec”, Statens Museum for Kunst, Copenhagen
“Sex brennt”, Magnus Hirschfelds Institut für Sexualwissenschaft und die Bücherverbrennung, Berliner Medizinhistorisches Museum der Charité, Berlin
“Dispersion”, Institute of Contemporary Arts, London
“Collage: The Unmonumental Picture”, New Museum, New York
“Konzepte der Liebe”, Kölnischer Kunstverein, Cologne (catalogue)
“Italia Italie Italien Italy Wlochy”, Arcos Museo d’Arte Contemporanea Sannio, Benevento
“Selective Knowledge”, National Bank of Greece Cultural Foundation, Eynard Mansion, Athens
“History Keeps Me Awake at Night: A Genealogy of Wojnaowicz”, P.P.O.W., New York
“Editionen und Multiples”, Helga Maria Klosterfelde, Berlin
“Affairen. Ein Semiotisches Haus, das nie gebaut wurde”, Neuer Aachener Kunstverein, Aachen (catalogue)
Supportico Lopez 32, Milan
“Jahresgaben 2008”, Kunstverein München, Munich
“Kritisk Form”, Skulpturi.dk, Copenhagen
“Sammlung – Collection”, Migros Museum für Gegenwartskunst, Zurich
“Visite – Von Gerhard Richter bis Rebecca Horn”, Bundeskunsthalle, Bonn
“Were, There, Severe, (thin line)”, Galleria Alessandro de March, Milan

2007
“Oh Girl, It’s a Boy”, Kunstverein München, Munich (catalogue)
“After the butcher”, Ausstellungsraum für zeitgenössische Kunst, Berlin
“Bodypoliticx”, Witte de With, Rotterdam
“Devotee”, Cabinet Gallery, London
“A queer tour guide”, Künstlerhaus Bethanien, Berlin
“A-Z Advanced Technologies”, Galeria Massimo de Carlo, Milan
“Door Slamming Festival”, curated by Dominik Eichler, Berlin
“Made in Germany”, Sprengelmuseum Hannover / Kunstverein Hannover / Kestnergesellschaft, Hannover (catalogue)
“Neolithic Porn”, Galerie Isabella Bortolozzi, Berlin
“Spetzie”, after the butcher, Berlin

2006
“Das Achte Feld – Geschlechter, Leben u. Begehren in der bildenden Kunst s. 1960”, Museum Ludwig, Cologne (catalogue)
“Art After Conceptual Art”, Generali Foundation, Vienna (catalogue)
“Von der Abwesenheit des Lagers. Reflexionen zeitgenössischer Kunst zur Aktualität des Erinnerns”, Kunsthaus Dresden, Dresden (catalogue)
“Presented by”, Galerie Andreas Huber, Vienna
“…und so hat Konzept noch nie Pferd bedeutet”, Generali Foundation, Vienna
“Esplanaden 2006 – Nu På Den Frie!”, Den Frie Centre of Contemporary Art, Copenhagen
“Galerie Daniel Buchholz, Köln, at Metro Pictures”, Metro Pictures, New York
“Old News – cneai =, Chatou Faster! Bigger! Better! “, ZKM, Zentrum fur Kunst und Medientechnologie Karlsruhe, Karlsruhe
“Optik Schröder – Werke aus der Sammlung Alexander Schröder”, Kunstverein Braunschweig, Braunschweig
“Parkhaus zeigt”, Parkhaus im Malkastenpark, Düsseldorf
“When the Moon Shines on the Moonshine”, The Breeder, Athens
“Photosuisse: Group Exhibition”, Kunsthaus CentrePasquArt – Centre d’Art, Bienne

2005
“Verdunkelung/Darkening”, Künstlerhaus Stuttgart, Stuttgart
“Projekt Migration”, Kölnischer Kunstverein, Cologne (catalogue)
“Possession”, Paul-Lincke-Ufer 33, Berlin
“I really should…”, Lisson Gallery, London
Museum Kurhaus Kleve, Kleve
“Xenopolis”, Rathausgalerie München, Munich
“Artists’ Books, revisited”, Art Metropole, Toronto
“Editionen – Pork Salad Press”, Wiener Secession, Vienna
“It takes some time to open an oyster”, CCA Andratx, Andratx
“EN/OF”, Galerie de multiples, Paris
“The Opening – group show”, Andersen’s Copenhagen, Copenhagen
“EXIT- Ausstieg aus dem Bild”, Zentrum für Kunst und Medien, Karlsruhe

2004
Signal Galleri, Malmö
“Quodlibet”, Galerie Daniel Buchholz, Cologne
“Black Friday – Exercises in Hermetics”, Galerie Kamm, Berlin
“Sommerfotogruppenausstellung – Telepathy Curating”, curated by Sergej Jensen und Josef Strau, Galerie Meerettich, Berlin
“Liquidation Totale”, dépendance, Brussels
“Communaute”, Institut d’Art Contemporain, Villeurbanne-Lyon
“World Watchers. Demokratie. Information. Subjekte.”, Kunsthaus Dresden, Dresden
“Werke aus der Sammlung Boros”, Museum für Neue Kunst / ZKM, Karlsruhe
“Actionbutton”, The State Russian Museum – Marble Palace, St. Petersburg

2003
“Rent-a-Bench”, Trapholt Museum of Art, Kolding
“Hands Up, Baby, Hands Up!”, Oldenburger Kunstverein, Oldenburg
“GNS (Global Navigation System)”, Palais de Tokyo, Paris
“Influence, Anxiety & Gratitude”, Mit List Visual Arts Center, Cambridge
“Actionbutton”, Hamburger Bahnhof Museum für Gegenwart, Berlin
“Editions and Multiples 1990-2003”, Klosterfelde, Berlin
“De bortbjudna – Malmö Art Museum is visiting Rooseum”, Rooseum Center for Contemporary Art, Malmö
“Id”, Platform, Vaasa
“Same-Different. On Identity, Integrity, and Sexual Politics”, Galeria Noua, Bucharest
“Unplugged”, Galleria Civica di Trento, Trento
“World Watchers – Demokratie. Information. Subjekte”, Neue Gesellschaft für Bildende Kunst, Berlin

2002
“Rent-a-bench”, Street Project, Los Angeles
“Hossa. Arte Aleman del 2000”, Centro Cultural Andratx, Andratx
“Centre of Attraction”, 8th Baltic Triennial of International Art, Vilnius (catalogue)
5. Werkleitz Biennale, Werkleitz
“Zusammenhänge herstellen”, Kunstverein Hamburg, Hamburg
“Ökonomien der Zeit”, Museum Ludwig, Köln / Akademie der Künste, Berlin / Migros Museum für Gegenwartskunst, Zurich (catalogue)
“Strike”, Wolverhampton Art Gallery, London (catalogue)
“Esplanaden 2002”, Kunsthal Charlottenborg, Copenhagen
“Roma Roma Roma”, Rome, Italy
“The Collective Unconsciousness”, Migros Museum für Gegenwartskunst, Zurich

2001
“Pedigree Pal – Neudefinition von Familie”, Shedhalle, Zurich (catalogue)
“Arbeit, Essen, Angst”, Kokerei Zollverein, Essen (catalogue)
“Trans Sexual Express Barcelona”, 1st Barcelona Triennial, Centre d’Art
Santa Mònica, Barcelona (catalogue)
“Frankfurter Kreuz”, Kunsthalle Schirn, Frankfurt am Main (catalogue)
“Neue Welt”, Frankfurter Kunstverein, Frankfurt am Main (catalogue)
“New Settlements”, Nikolaj Contemporary Art Center, Copenhagen
“Inside space / Experiments in redefinding rooms”, MIT List Visual Arts Center, Cambridge (catalogue)
“Sex – Vom Wissen und Wünschen”, Deutsches Hygiene Museum, Dresden

2000
“All you can eat”, Galerie für Zeitgenössische Kunst, Leipzig (catalogue)
“Turning into a loop”, Giò Marconi, Milan
“No swimming – schwimmen verboten”, Kunstverein München, Munich (catalogue)
“Berlin – Binnendifferenz. Phase 2”, Bregenz / Salzburg
“Momentum”, Nordic Biennial of Contemporary Art 2000, Moss
“[re:songlines]”, Halle für Kunst e.V., Lüneburg (catalogue)
“German Art in Moskau”, Moskow

1999
“The work in this space is a response to the existing condition and/or work previously shown within the space”, Neugerriemschneider, Berlin
“Dispensing with Formalities”, Recent works / Jacob Fabricius, Copenhagen
“Kraftwerk Berlin”, Aarhus Kunstmuseum, Aarhus (catalogue)
“S.”, Recent Works / Jacob Fabricius, Copenhagen
“Objects in the rear view mirror may appear closer than they are”, Galerie Max Hetzler, Berlin

1998
“Underground”, Galleri Asbaek, Copenhagen
Stalke, Copenhagen

1997
“Ex-centrics”, Waves, Vordingborg
“Speisen, der Umbaumraum”, Künstlerhaus Stuttgart, Stuttgart

1996
“Au revoir, les enfants”, Kunstraum Mitte, Berlin
“Aktion: Azizoglu, Yann Siebrecht, 7 Orte und ein Tisch”, Frankfurt am Main
“Filme”, Klubhaus, Frankfurt am Main
“Kunst & Zeil”, Portikus, Frankfurt am Main
“Exiles”, Overgaden, exhibition space of the Minestry of Culture, Copenhagen
“Three rooms”, Ausstellungsraum Hübner, Frankfurt am Main
“Aktion: Lars Erik Frank, Henrik Olesen”, Update Gallery, Copenhagen

1995
“Art against AIDS”, Galleri Nicolai Wallner, Copenhagen
“Wir begegnen uns nicht zufällig – Klasse Christa Näher”, Haus am Lützowplatz, Berlin
“2 dimensional theory”, Nikolaj, Contemporary Art Center, Copenhagen
“I Confess”, Nikolaj, Contemporary Art Center, Copenhagen

1994
“KM2”, Malmö Kunstmuseum, Malmö
“City Slang”, Kunstforeningen Gl. Strand, Copenhagen
“Something’s wrong”, Nikolaj, Contemporary Art Center, Copenhagen

1993
“KON (SEX)”, Galleri Nicolai Wallner, Copenhagen
“17:00 CET”, Stalke Out of Space, Copenhagen
“Opening”, Galleri Nicolai Wallner, Copenhagen